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Hannes Folberth – keyboards (1979–1984, 1992–present) Michael Gerlach – keyboards (1988–present) Stephan Emig – drums (2018–present) Former members. Erich Schriever – lead vocals, keyboards (1969–1972) Helmuth Draht – drums (1969–1972; died 2003) Wolfgang Stöcker – bass (1969–1973)
ELOY Legacy. Der 1959 in Rumänien geborene Hannes Folberth spielte schon Anfang der 70er mit Hannes Arkona zusammen bei verschiedenen hannoverschen Amateurbands, zuletzt bei »Deadlock«. 1980 stieß der Pianist zu ELOY als Nachfolger von Detlev Schmidtchen. Mit seinem virtuosen Tastenspiel veränderte er den ELOY-Sound auf dem Album »Colours
Hannes Arkona - guitarra (1980-1984) Hannes Folberth - teclado (1980-1984, desde 2009) Jim McGillivray - bateria (1980-1981) Michael Gerlach - teclado (desde 1988) Bodo Schopf - bateria (1998-2016) Kristof Hinz - bateria (2016-2018) Stephan Emig - bateria (desde 2018) Discografia. 1971 - Eloy; 1973 - Inside; 1974 - Floating
Planets sees the band going quite far as keyboards as concerned: here the guitars take a kind of back seat and Hannes Folberth´s synths are much more on the forefront now than on previous ones. However, unlike 99% of the bands of the time, the synthesizers timbres are much different from one might expect from the 80´s.
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After the departure of keyboardist Detlev Schmidtchen and drummer Jürgen Rosenthal due to what Bornemann says were ego issues, Eloy found itself with three new members: Hannes Arkona supplementing Bornemann on guitar, Hannes Folberth on keyboards, and Jim McGillivray on drums.
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Além de Bonermann (vocais, guitarra), a banda conta com Hannes Folberth (teclados), Michael Gerlach (teclados), Klaus-Peter Matziol (baixo) e Stephan Emig (bateria). Ouça, clicando no play abaixo, o fantástico e grandioso, Echoes From The Past , o vigésimo e novo álbum da banda alemã Eloy :
Likewise, the music here is - not surprisingly - quite similar too, although the guitar has more room to appear (even if Hannes Folberth´s synths are still overwhelming). It is also interesting to see how much clavinet-like sounds are found among the keyboards, making this album very out of synch with the general plastic production of the 80´s.
