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Taddea Malaspina (1505 - 1559) [1] was an Italian noblewoman of the 16th century. A scion of the Massa branch of the ancient Malaspina family, she was the mistress of Alessandro de' Medici, Duke of Florence, from the early 1530s to about 1537 and was likely the mother of at least two of his children, Giulio and Giulia de' Medici.
Taddea Malaspina. Alessandro de' Medici, dug Firenze, o tresañ dremm ur vaouez war-dro 1534, en ur poltred gant Pontormo. Taddea Malaspina, e serc'h, eo ar vaouez treset. Taddea Malaspina (1505 - ?) a oa ur varkizez italian hag a oa serc'h da Alessandro de' Medici, dug Firenze, e deroù ar bloavezhioù 1530 betek war-dro 1537, ha moarvat ivez ...
28 de abr. de 2022 · Daughter of Antonio Alberico II Malaspina, marquis of Massa and Lucrezia d'Este. Wife of Giovanni Battista Boiardo, conte di Scandiano. Partner of Alessandro "il Moro" de'Medici, duca di Firenze. Mother of Giulia Boiardo; Giulio de'Medici and Giulia Romola de' Medici. Sister of Ricciarda Malaspina, marchesa di Massa and Eleonora Fieschi.
Taddea Malaspina (1505 – 1559) è stata una nobildonna italiana. Fu l'amante di Alessandro de' Medici, duca di Firenze, dal 1530 al 1537 circa e fu probabilmente la madre di almeno due dei suoi figli, Giulio e Giulia (1535-1588). Giulio de' Medici fu associato alla famiglia Malaspina in diversi momenti della sua vita.
Taddea Malaspina a oa ur varkizez italian hag a oa serc'h da Alessandro de' Medici, dug Firenze, e deroù ar bloavezhioù 1530 betek war-dro 1537, ha moarvat ivez mamm da zaou eus e vugale, Giulio di Alessandro de' Medici ha Giulia de' Medici.
Giulia Romola di Alessandro de' Medici (c. 1535 – c. 1588) was the illegitimate, possibly multiracial, daughter of Alessandro de' Medici, Duke of Florence and his mistress Taddea Malaspina. Following her father's assassination, she was reared at the court of Cosimo I de' Medici and married advantageously twice.
The sitter is presumed to be the young widow Taddea Malaspina, the lady who received the painting as a gift from Alessandro according to Giorgio Vasari’s account published over three dec-ades later. Usually taken as a relatively straightforward avowal of love for the.
