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Xenia Cage (born Xenia Andreyevna Kashevaroff, August 15, 1913, Juneau, Alaska – September 26, 1995, New York [citation needed]) was an American surrealist sculptor. Her work has been described as on the “cutting edge of surrealism in sculpture” for her time.
His steadfast fellow percussionist is his blonde wife Xenia Cage, surrealist sculptress, daughter of a Russian Orthodox priest. She helps Cage find his instruments of ‘unsuspected beauty’ in junkyards and hardware stores. He considers her the deftest of all living flowerpot and gong whackers.”
26 de set. de 1995 · Xenia Cage was an American painter, sculptor, bookbinder, conservator, and musician notable for her surrealist mobiles and artistic collaborations. Career Cage’s work has been described as on the “cutting edge of surrealism in sculpture” for her time.
Composition. Structure. Recordings. References. External links. Imaginary Landscape No. 1 is a composition for records of constant and variable frequency, large chinese cymbal and string piano by American composer John Cage and the first in the series of Imaginary Landscapes. It was composed in 1939. Composition.
The 31 Women Collection | Segal NYC | Impact Investment & Production Firm. Follow @the31women on social media! XENIA. CAGE. Xenia Cage (1913-1996) was a multifaceted artist who found her footing in the worlds of fine art and theater. She was born in Juneau, Alaska to a mother who was Native Alaskan and a father who was a Russian Orthodox priest.
Surrealist sculptor Xenia Cage was born in 1913 in Juneau, Alaska. She attended Reed College in Portland, OR and Chouinard Art Institute in Los Angeles, CA. Cage's work has been featured in various exhibitions, including at Peggy Guggenheim's Art of this Century Gallery, Manhattan, NY (1943); and the Art Institute...
Xenia Cage (born August 15, 1913, Alaska, USA – died September 26, 1995, New York City, New York, USA) was an American painter, sculptor, bookbinder, conservator, and musician notable for her surrealist mobiles and artistic collaborations.
