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    relacionado a: history of music 20th century
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  1. Há 3 dias · The 20th century saw a revolution in music listening as the radio gained popularity worldwide and new media and technologies were developed to record, edit and distribute music. Music performances became increasingly visual with the broadcast and recording of performances.

  2. 22 de mai. de 2024 · Music, art concerned with combining vocal or instrumental sounds for beauty of form or emotional expression, usually according to cultural standards of rhythm, melody, and, in most Western music, harmony. Learn about the history of music and about theories of musical meaning since the 19th century.

    • Gordon Epperson
  3. 11 de mai. de 2024 · Electronic music is represented not only by a wide variety of 20th-century works and not only by serious concert pieces but also by a substantial literature of theatre, film, and television scores and by multimedia works that use all types of audiovisual techniques.

  4. 21 de mai. de 2024 · Music in the Twentieth and Twenty-First Centuries by Joseph Auner; Walter Frisch (Series edited by) Music in the twentieth and twenty-first centuries explores the sense of possibility unleashed by the era's profoundly destabilizing military conflicts, social upheavals, and technological advances.

    • Catherine Langholff
    • 2019
  5. 24 de mai. de 2024 · After the Industrial Revolution, true folk music began to disappear, and the popular music of the Victorian era and the early 20th century was that of the music hall and vaudeville, with its upper reaches dominated by waltz music and operettas.

    • The Editors of Encyclopaedia Britannica
  6. en.wikipedia.org › wiki › JazzJazz - Wikipedia

    Há 3 dias · Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries, with its roots in blues, ragtime, European harmony and African rhythmic rituals.

  7. en.wikipedia.org › wiki › MusicMusic - Wikipedia

    Há 16 horas · Until the 20th century, the division between "high" and "low" musical forms was accepted as a valid distinction that separated out "art music", from popular music heard in bars and dance halls. Musicologists, such as David Brackett, note a "redrawing of high-low cultural-aesthetic boundaries" in the 20th century.