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  1. 8 de jun. de 2024 · Walker Evans was a quintessential American photographer known for his documentary work capturing the United States in the 1930s and 40s. Evans created photographs that elucidated and archived American society so thoroughly; his images became an enduring body of work that influenced the development of art in the twentieth century.

  2. 8 de jun. de 2024 · Eugene Smith, Walker Evans, and Lewis Hine were a few of his greatest influences, from whom he learned the intricacies of composition, contrast, character, and the humanistic quality in photography. Salgado especially gained recognition in the 80s when he photographed the famine and its effects in the Sahel region of Africa.

  3. 3 de jun. de 2024 · Originating as a tribute to the 1962 Bitter Years photography exhibition curated by the illustrious Edward Steichen for the Museum of Modern Art, New York, the current exhibition organized by the Margulies Collection, features photographs by renowned American photographers Dorothea Lange, Walker Evans, Marion Post Wolcott, Jack ...

  4. 7 de jun. de 2024 · En este nuevo episodio de la serie de grandes fotógrafos hablo de la vida y la obra de Evans, un fotógrafo del que podemos aprender mucho para mejorar nuestro trabajo. #fotografía # ...

    • 9 min
    • 159
    • Gustavo Battistella
  5. 8 de jun. de 2024 · During this time, Walker Evans began taking photographs with a small, hand-held camera. He used the conventions of literature to guide his burgeoning aesthetic. Evans displayed an influence by the straightforward, poetic vision of Eugene Atget.

  6. 7 de jun. de 2024 · A version of this photo essay, by Fortune staff photographer Walker Evans, appeared in the July 1955 issue of Fortune —the inaugural Fortune 500 issue. Among low-priced, factory-produced...

  7. Há 2 dias · Constructing Worlds: Photography and Architecture in the Modern Age. This overview of 18 architectural photographers across the ages reveals how photography of architecture communicates wider truths about society — then and now. Barbican exhibition review by Sean Sheehan.