Yahoo Search Busca da Web

Resultado da Busca

  1. Há 2 dias · Sylvia Plath – Você é. Um palhaço, mais feliz com as mãos no chão, Pés apontados para as estrelas, cabeça de lua, Com guelras de peixe. Polegares virados. Com bom senso, como um pássaro dodô. Enrolado em si mesmo como bobina, Pescando seu escuro como fazem as corujas. Mudo como um nabo, desde o Quatro de Julho.

  2. 14 de mai. de 2024 · Morning Song é um dos poemas escritos pela norte-americana Sylvia Plath (1932–1963), enquadrado no livro Ariel, tendo sido publicado postumamente em 1965 – trata-se do primeiro poema contido no livro citado. Sylvia fez parte do modernismo nas letras americanas, circunscrevendo-se, sobremaneira, no movimento confessionalista. Assim sendo, o presente artigo, a princípio, fornece algumas ...

  3. Há 1 dia · Poema Aparición de Sylvia Plath para leer. Disfrutar de la poesía clásica, Poemas y poetas americanos, amorPoema escrito: https: ...

  4. 28 de abr. de 2024 · In this Short Course, we’ll close-read Plaths poetry, to learn from her singularity. We’ll begin with an overview of Plaths poetry leading up to her creative breakthrough, then focus the remaining four sessions on close reading poems from her posthumous, best-known book Ariel .

  5. 8 de mai. de 2024 · April 15, 2019. Boston-born twentieth-century poet Sylvia Plath took her life at the early age of 30, but her work left more than a mark on both poetry and feminism. Her poetry rejects the conventions of meter and rhyme, as well as those of docility and femininity.

    • sylvia plath poemas1
    • sylvia plath poemas2
    • sylvia plath poemas3
    • sylvia plath poemas4
    • sylvia plath poemas5
  6. Há 6 dias · Sylvia Plath Place in Literature. A confessional poet, an extremist poet, a post-romantic poet, a pre-feminist poet, a suicidal poet – all these terms have been used (and are still being used) in attempts to define and explain Sylvia Plaths writing.

  7. 3 de mai. de 2024 · The Bell Jar, novel by Sylvia Plath, first published in January 1963 under the pseudonym Victoria Lucas and later released posthumously under her real name. The work, a thinly veiled autobiography, chronicles a young woman’s mental breakdown and eventual recovery, while also exploring societal expectations of women in the 1950s.