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  1. en.wikipedia.org › wiki › RembrandtRembrandt - Wikipedia

    Há 2 dias · During his early years in Amsterdam (1632–1636), Rembrandt began to paint dramatic biblical and mythological scenes in high contrast and of large format ( The Blinding of Samson, 1636, Belshazzar's Feast, c. 1635 Danaë, 1636 but reworked later), seeking to emulate the baroque style of Rubens. [83]

  2. 29 de mai. de 2024 · Dutch painter and printmaker Rembrandt van Rijn (1606–69) is considered one of the greatest storytellers in art, unusually gifted in rendering people in various moods and guises. His works suggest an acute and loving attention toward the world around him and a strong understanding of the significant detail—a dual quality that ...

  3. 25 de mai. de 2024 · Rembrandt painted only a few landscapes, mostly imaginary vistas with mountains in the background. While he might very well have seen the different parts of this landscape – the bridge, for instance – in reality, he actually assembled them into a non-existent entity.

  4. 23 de mai. de 2024 · Rembrandt (born July 15, 1606, Leiden, Netherlands—died October 4, 1669, Amsterdam) Dutch Baroque painter and printmaker, one of the greatest storytellers in the history of art, possessing an exceptional ability to render people in their various moods and dramatic guises.

  5. 22 de mai. de 2024 · Rembrandt Harmenszoon van Rijn or simply Rembrandt, one of the greatest artists in the history of European art. A talent that manifests itself already in the first portraits of his youth, before he had to go through a painful life, marked by personal tragedies and economic difficulties.

  6. 14 de mai. de 2024 · Rembrandt's studies from life of children are among his most tender and endearing drawings and the display features six drawings of children from different periods of his career – and his ability to capture movement with only a few well-placed lines remained consistent throughout his practice.

  7. 20 de mai. de 2024 · Man in Oriental Clothing, Rembrandt van Rijn, 1635. Rembrandt plays with light in a singular manner. Here it floods the man’s turban and the right side of his face like a powerful spotlight. The left side remains in shadow. Such character-like heads – not portraits – were popular in the 17th century.