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  1. 14 de mai. de 2024 · About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features NFL Sunday Ticket Press Copyright ...

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  2. Há 3 dias · Fear of a Black Planet is the third studio album by American hip hop group Public Enemy.It was released on April 10, 1990, by Def Jam Recordings and Columbia Records, and produced by the group's production team The Bomb Squad, who expanded on the sample-layered sound of Public Enemy's previous album, It Takes a Nation of Millions to Hold Us Back (1988).

  3. 10 de mai. de 2024 · The group seemed to have folded after Muse Sick N Hour Mess Age (1994), but in 1998 they produced a new album of songs for Spike Lees film He Got Game and went on tour. Breaking ties with Def Jam, Public Enemy went on to release music on various independent record labels into the 21st century.

  4. 26 de mai. de 2024 · Throughout their career, Public Enemy released fifteen studio albums, including Fear of a Black Planet and Apocalypse 91… The Enemy Strikes Black , both of which are considered classics. They have also released live albums, compilations, and remixes.

  5. Public Enemy - He Got Game. 1998. Add a Comment. Be the first to comment. Nobody's responded to this post yet. Add your thoughts and get the conversation going. 71K subscribers in the 90smusic community. Are you living in a Gangsta's paradise, maybe in California, or maybe you're from the intergalactic? If…

  6. 8 de mai. de 2024 · Public Enemy’s “Politics of the Sneaker Pimps” serves as a thought-provoking commentary on the politics and consumerism behind the sneaker industry. Its lyrics shed light on the influence of brands, the exploitation involved in production, and the personal and societal implications of this culture.

  7. Há 4 dias · Public Enemy: It Takes A Nation Of Millions To Hold Us Back Label: Def Jam Recordings Year: 1988 Public Enemy bring the power led by their Captain and front man Chuck D as Hank Shocklee & The Bomb Squad go full throttle down below in the engine room, concentrating less on beats and groove and more on free form where the 1 is rarely established. Of course when Chuck takes the mic he is the 1 ...