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  1. 8 de mai. de 2024 · Vsevolod Meyerhold considers the life and work of the extraordinary twentieth-century director and theatre-maker. This compact, well-illustrated volume includes: a biographical introduction to Meyerhold's life . a clear explanation of his theoretical writings . an analysis of his masterpiece production Revisor, or The Government ...

  2. Há 4 dias · Buy The Routledge Companion to Vsevolod Meyerhold by Jonathan Pitches, Stefan Aquilina from Foyles today! Click and Collect from your local Foyles.

  3. 19 de mai. de 2024 · Sua praxis é uma síntese dos experimentos teatrais de Erwin Piscator e Vsevolod Emilevitch Meyerhold, do conceito de estranhamento do jornalista russo Viktor Chklovski, do teatro chinês e do teatro experimental da Rússia soviética, entre os anos 1917-1926.

  4. 22 de mai. de 2024 · Vsevolod Meyerhold (Routledge Pe... by Pitches, Prof Jonath Paperback / softback. World of Books USA. (1092250) 94.9% positive. Seller's other items. Contact seller. US $25.02. Condition: Like New. Quantity: 2 available. Buy It Now. Add to cart. Add to watchlist. Breathe easy. Returns accepted. Shipping: FreeStandard Shipping. See details.

  5. 19 de mai. de 2024 · At this year's Block Universe festival of performance art, Stina Nyberg's Shapes of States stood out for its nuanced look at the conjoined histories of Taylorism, Biomechanics, and Swedish public health programmes Following 2011's ecstatic survey Building the Revolution: Soviet Art and Architecture ...

  6. 14 de mai. de 2024 · Other notable figures include Vsevolod Meyerhold, a Russian theatre director who developed a system of actor training called biomechanics, which focused on the precise and expressive use of the body; Antonin Artaud and his Theatre of Cruelty, which prioritised shocking, physical expressions designed to liberate the subconscious minds ...

  7. 16 de mai. de 2024 · MEJERHOLD, Vsevolod Emiljevič, ruski glumac, redatelj i teatrolog (Penza, 28. I. 1874 -Moskva, 2. II. 1940). Proslavio se avangardističkim režijama, a u Teatru revolucije što ga je osnovao 1922. u Moskvi ostvaruje ideje o funkciji teatra kao važnog čimbenika revolucije.