1962
Resultado da Busca
19 de mai. de 2024 · Vittorio De Sica was an Italian film director and actor who first found fame as a matinee idol and who later was a major figure in the Italian Neorealist movement. He directed four masterpieces of the genre, including The Bicycle Thief (1948), which earned an Academy Award for best foreign film.
- The Editors of Encyclopaedia Britannica
8 de mai. de 2024 · Subscribed. 0. No views 1 minute ago. «Shoeshine (Italian: Sciuscià [ʃuʃˈʃa], from Neapolitan pronunciation of the English) is a 1946 Italian film directed by Vittorio De Sica. Sometimes...
- 87 min
- 202
- thibaut barguil
Há 6 dias · Shoeshine (1946) by Vittorio De Sica , Clip: The Tiber-Il panza (the Belly) - the crime boss appears - YouTube. The aesthetic of the Image: [world] cinema clips. 9.46K subscribers....
- 26 seg
- 35
- The aesthetic of the Image: [world] cinema clips
Há 2 dias · Ela se destacou pelo talento, buscando papéis significativos que marcaram sua carreira. Determinada, convenceu o diretor Vittorio De Sica (1901-1974) de que era a escolha perfeita para interpretar Cesira em “Duas Mulheres” (1960), e essa insistência resultou em seu Oscar de Melhor Atriz, entre outros prêmios, por sua atuação.
Há 8 horas · Neorealism, made famous by the Italian directors Robert Rossellini, Vittorio De Sica and Luchino Visconti, focuses on the everyday lives of ordinary people, and Jia’s take on the genre explores the effects of modernisation and globalisation in his native China, whilst largely adhering to the neorealist principles of filmmaking, if only out of necessity’s sake.
21 de mai. de 2024 · Here’s the synopsis: “One of the greatest achievements in the cinematic revolution known as Italian neorealism, Vittorio De Sica’s Shoeshine stands as a timeless masterpiece of trenchant social observation and stirring emotional humanism.
22 de mai. de 2024 · Thus, certain filmmakers, such as Vittorio De Sica and Roberto Rossellini, decided to present a more accurate view of Italy, subsequently depicting people affected by war and poverty. This was a stark contrast from the Telefoni Bianchi movies, which were popular in Italy at the time.
