Yahoo Search Busca da Web

Resultado da Busca

  1. 20 de mai. de 2024 · Estruturado em forma de seis episódios independentes, o filme percorre diferentes regiões da Itália durante o final da Segunda Guerra Mundial, retratando a complexa interação entre os italianos, as forças aliadas e os alemães. As histórias exploram as nuances da guerra e seus efeitos sobre a população civil e os soldados.

  2. 20 de mai. de 2024 · 7 subscribers. 0. No views 1 minute ago. In this episode, I talk about Roberto Rossellini's groundbreaking 1954 film, "Journey To Italy." It stars Ingrid Bergman and George Sanders as...

    • 86 min
    • 4
    • Her Head in Films
  3. 15 de mai. de 2024 · How Roberto Rossellinis wartime drama Rome, Open City became a line-in-the-sand moment for world cinema. 15 May 2024. By Alex Barrett. Rome, Open City (1945) “The overwhelming experience of 1945 was Rome, Open City,” wrote influential film critic David Shipman in his book Cinema: The First Hundred Years, “it made every movie ...

  4. 19 de mai. de 2024 · Roberto Rossellini (born May 8, 1906, Rome—died June 3, 1977, Rome) was one of the most widely known post-World War II motion-picture directors of Italy. His films Roma città aperta (1945; Open City) and Paisà (1946; Paisan) focussed international attention on the Italian Neorealist movement in films. The son of a successful ...

    • The Editors of Encyclopaedia Britannica
  5. 8 de mai. de 2024 · Di Sofia Racco 8 Maggio 2024. Primo piano di Roberto Rossellini - © Gli Asini. L’8 maggio 1906 nasceva Roberto Rossellini: considerato il padre del Neorealismo, i suoi film hanno lasciato un profondo segno nella storia del cinema italiano e mondiale.

  6. 17 de mai. de 2024 · As a source of collective therapy, in Italy, the neorealism movement was born from the rubble of the Fascist dictatorship, with Roberto Rossellinis Rome, Open City being one of the very first films to assess the damage of war on the national psyche.

  7. 8 de mai. de 2024 · In this sense, La Chimera nods to the realist postwar films of Roberto Rossellini (father of Isabella). But it is also surrealist and Fellini-esque, influenced by myth and fairy tale. One of its most striking visual refrains is a red thread that trails from the bottom of Beniamina’s dress, its end disappearing into the ground.