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Há 1 dia · Elswit had previously worked with Zaillian on HBO’s Emmy-winning limited series “The Night Of;” this time, their vision was to make a series that went back to the stark sociopathy of the ...
31 de mai. de 2024 · Elswit worked with the director of Ripley, Steven Zaillian, once before, in 2016, on an episode of the underrated drama The Night Of. Once I got over my prejudices, I found nothing but enjoyment in the visuals. They're a rich feast. The cinematography is masterly, and it's an integral component of the film's mood, feel, and storytelling.
30 de mai. de 2024 · Elswit says the most technically difficult sequence to shoot was Dickie’s murder on the boat.
10 de mai. de 2024 · Robert Elswit, ASC reteams with director Paul Thomas Anderson on this saga of an unsociable oil prospector who strikes it rich but loses his soul.
- Stephen Pizzello
31 de mai. de 2024 · “If we were going to do this, it was important to Steven to ask and answer the question: How would you really go about disposing of a body?” explains Ripley cinematographer Robert Elswit, who shot Tom’s homicidal tour through exotic Italian locales in stark black and white to better capture the “crime and punishment ...
Há 3 dias · Posted on Jun 4, 2024 by Samara Husbands Company 3’s Stefan Sonnenfeld and Cody Baker discuss collaborating with Steven Zaillian with Robert Elswit on Netflix’s Ripley
29 de mai. de 2024 · Cinematographer and frequent Paul Thomas Anderson collaborator, Robert Elswit, produces a visual feast with all the raw material Italy has to offer—ancient seaside villas, religious iconography,...
