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8 de mai. de 2024 · Julia Kristeva explores abjection in her ‘Powers of Horror’, drawing on Freud’s theories surrounding the superego [1]. She explains that ‘To each ego its object, to each superego its abject’ [2], arguing that morality allows us to recognise what is separate and uncanny as something horrific.
Há 5 dias · Lovecraftian horror, also called cosmic horror or eldritch horror, is a subgenre of horror fiction and weird fiction that emphasizes the horror of the unknowable and incomprehensible more than gore or other elements of shock. It is named after American author H. P. Lovecraft (1890–1937).
9 de mai. de 2024 · Find many great new & used options and get the best deals for Powers of Horror: An Essay on Abjection (European Perspectives Series) at the best online prices at eBay! Free shipping for many products!
15 de mai. de 2024 · Powers of Horror: An Essay on Abjection (European Perspectives: A Series in Soci. i-got-to-have-that. (492316) Business. 99.5% positive. Seller's other items. Contact seller. £20.28. Condition: New. Buy it now. Add to basket. Watch this item. Breathe easy. Returns accepted. Postage: Doesn't post to United States. See details.
Há 4 dias · Julia Kristeva Powers of Horror (Paperback) Save 15% with code MAYPAY15. Ends 11:59 PM on 31st May. Rarewaves Outlet. (1148958) Business. 98.2% positive. Seller's other items. Contact seller. £20.80. Condition: New. Quantity: More than 10 available. Buy it now. Add to basket. Watch this item. Breathe easy. Returns accepted. Postage:
6 de mai. de 2024 · Powers of Horror: An Essay on Abjection by Julia Kristeva. Condition: Brand new. Price: AU $94.55. 4 payments of AU $23.64 with Afterpay. Postage: May not post to United States. Read item description or contact seller for postage options. See detailsfor delivery. Located in: East Hanover, NJ, United States. Delivery: Varies. Returns:
22 de mai. de 2024 · Horror has an established tradition in both fiction and film. From books such as Frankenstein and Dracula to films such as Seven and The Blair Witch Project, the genre holds an irresistable appeal for modern audiences. But why? Is horror an anti-establishment force and an argument for social revolution?
