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  1. Há 4 dias · These events inspired his next two works, "Occasional Discourse on the Negro Question" (1849), in which he coined the term "Dismal Science" to describe political economy, and Latter-Day Pamphlets (1850). The illiberal content of these works sullied Carlyle's reputation for some progressives, while endearing him to those that shared ...

  2. 22 de mai. de 2024 · In a racist tract called (sic) “Occasional Discourse on the Negro Question,” Carlyle says: And the Social Science—not a gay science but a rueful—which finds the secret of this Universe in ‘supply and demand,’ and reduces the duty of human governors to that of letting men alone—is also wonderful.

  3. 9 de mai. de 2024 · Carlyle’s controversial work Occasional Discourse on the Negro Question defended African enslavement by white people as an institution that was basically doing a favor for the inherently lazy black population.

  4. 12 de mai. de 2024 · Occasional Discourse on the N***** Question. I myself own an incomplete Victorian edition of the collected works of Carlyle, and, try as I might, I have found no reference to any such publication.

  5. Há 6 dias · They delight in acting in bad faith, since they seek not to persuade by sound argument but to intimidate and disconcert. If you press them too closely, they will abruptly fall silent, loftily indicating by some phrase that the time for argument is past.”. ― Jean-Paul Sartre. Read more quotes from Jean-Paul Sartre. Share this quote: Like Quote.

  6. 6 de mai. de 2024 · In this 150th anniversary year of the Emancipation Proclamation and the 50th anniversary year of the March on Washington, interest in black political activity during the Civil War and the Civil Rights Movement is at a high point. What may not be included in these celebrations is the constant struggle, and triumphs, of African-Americans in the ...

  7. Há 4 dias · Indeed, this tension between definitions is readily gleaned in the drastic difference between the “Old Crowd Negro-New Crowd Negro” cartoon, printed in the Messenger of 1919, and that drawing of “The New Negro,” done by Allan R. Freelon, which serves as the frontispiece to the 1928 number of the Carolina Magazine, heavily influenced by Alain Locke, that was devoted to the ”New Negro ...