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  1. 16 de mai. de 2024 · Sanborn’s 1991 album, Another Hand, marked a radical shift in musical direction, as he released a straight-ahead jazz album that featured Bill Frisell on guitar, Charlie Haden, bass, Mulgrew Miller piano, and Jack DeJohnette, drums. Hal Willner produced eight of the ten tracks, and Miller, two.

  2. Há 1 dia · Hal was a true nexus, people and paths and music and time all met wherever he was and those relationships continued and branched out. Hal was kind, thoughtful, aggravating, and almost always right. He had an eidetic memory and could pull who played what on which cut of which album out of thin air.

  3. en.wikipedia.org › wiki › Lou_ReedLou Reed - Wikipedia

    Há 4 dias · The show was produced by Bob Ezrin, who also produced the original album, and Hal Willner. The show played at the Sydney Festival in January 2007 and in Europe during June and July 2007. The album version of the concert, entitled Berlin: Live at St. Ann's Warehouse, and a live film recording of these concerts were both released in 2008.

  4. 7 de mai. de 2024 · Hal Willner. Originally written for Time Rocker, an avant-garde play borne out of a collaboration between Reed and Robert Wilson (better known for his collaborations with Philip Glass and Tom Waits), “Turning Time Around” is one of Reed’s most genuine, straight-faced love songs.

    • Kristen Wiley
  5. 13 de mai. de 2024 · In the show, which was produced by Hal Willner, Sanborn both bantered and performed with the guest lineup, which was radically eclectic; one episode had saxophonist Sonny Rollins, troubadour Leonard Cohen, pianist George Duke, spoken-word artist Ken Nordine, and the avant-pop band Was (Not Was).

  6. 15 de mai. de 2024 · There are many ways to remember David Sanborn and we decided to turn to the album that, in our conversation about his collaboration with Hal Willner, the legendary saxophonist described as his favorite, and also happens to be our favorite, Another Hand (Elektra Musician, 1991).

  7. 14 de mai. de 2024 · Still, it’s hard not to marvel at the gonzo-aesthete generosity of Night Music, which was not only a product of Hal Willner’s eclectic mind but also a natural fit for Sanborn’s curiosity. As he succinctly told the Times in 1989: “MTV is one avenue; this is another.”