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17 de mai. de 2024 · La fabuleuse énergie de l’écriture-pensée d’Hélène Cixous, ce tapis-volant de mots-rêves nous donne à sentir, à lire, à voir le mouvement d’arrachement au musellement auquel la parole des femmes a été soumise.
27 de mai. de 2024 · Hélène Cixous, in ‘The Laugh of the Medusa’, contends that female animosity, and consequently the image of the Medusa as a destructive force, has been created and nourished by men. According to Cixous, ‘men have committed the greatest crime against women.
18 de mai. de 2024 · Edwards analyses how Lydie Salvayre, Kim Thúy, Catherine Rey, Gisèle Pineau, Chantal Spitz, and Hélène Cixous each incorporate different languages into their writing for different purposes, “invent[ing] new linguistic formations” and creating “new formulations of subjectivity within their self-narrative” (18).
Há 6 dias · In her 1975 manifesto, “The Laugh of the Medusa,” French feminist Hélène Cixous urges women to write: “Writing is for you, you are for you; your body is yours, take it. . . . Women must write through their bodies, they must invent the impregnable language that will wreck partitions, classes, and rhetorics, regulations and ...
17 de mai. de 2024 · Hélène Cixous : la Méduse volante (Le rire de la Méduse) Initialement paru en 1975 dans le numéro 61 de la revue L’Arc consacré à Simone de Beauvoir et la lutte des femmes, le texte-manifeste d’Hélène Cixous a déraciné le confort de la pensée féministe, décoiffé la figure de Simone de Beauvoir, livré une pensée ...
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Há 4 dias · Hélène Cixous sostiene esa frágil incredulidad gracias a la pura fuerza de su audacia poética y a su estilo único de escritura-presente, y reinventa todas | Hipersueño es un tour de force literario que desafía a la más implacable de las certezas humanas -la muerte llega al final y ese es el final- interpelando al óbito para ...
Há 6 dias · Food is a theme of crucial importance in contemporary feminist critical dystopias, functioning as a symbol of both household hierarchization and market dynamics of production and consumption. As such, food can be a useful interpretative key to connect dystopian fiction to the state of the world outside the literary text.
