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  1. 2 de jul. de 2024 · The Medici ruled the Grand Duchy from its inception until 1737, with the death of Gian Gastone de' Medici. The grand duchy witnessed degrees of economic growth under the early grand dukes, but was bankrupt by the time of Cosimo III de' Medici (r. 1670–1723).

  2. 29 de jun. de 2024 · The Francis I by Domenico Poggini, the Cardinal Leopold, by an unknown Florentine artist, and the Gian Gastone attributed to Antonio Montauti are in white marble. There was also another bust, which the elogium by Lanzi identified as Cosimo III, penultimate Medici Grand Duke.

    • Gian Gastone de Médici1
    • Gian Gastone de Médici2
    • Gian Gastone de Médici3
    • Gian Gastone de Médici4
    • Gian Gastone de Médici5
  3. 20 de jun. de 2024 · From then on, however, a general decay set in. Ferdinand II (1610–70), oldest son of Cosimo II, was followed by his only living son and heir, Cosimo III (1642–1723), who in turn was followed by an only son, Gian Gastone (1671–1737), who died without issue.

    • The Editors of Encyclopaedia Britannica
  4. 20 de jun. de 2024 · Medici family, Italian bourgeois family that ruled Florence and, later, Tuscany during most of the period from 1434 to 1737, except for two brief intervals. It provided the Roman Catholic Church with four popes (Leo X, Clement VII, Pius IV, and Leon XI) and married into the royal families of Europe.

    • The Editors of Encyclopaedia Britannica
  5. de.wikipedia.org › wiki › MediciMedici – Wikipedia

    Há 4 dias · Nach dem Tod des letzten, kinderlosen Großherzogs Gian Gastone 1737 fiel das Großherzogtum aufgrund des Erlöschens der regierenden Medicis im Mannesstamm als erledigtes Fahnlehen an das Reich zurück und konnte von Kaiser Karl VI. neu vergeben werden.

  6. 29 de jun. de 2024 · Commissioned by Grand Duke Francesco I de'Medici, it is an octagonal "room of wonders" designed by Bernardo Buontalenti, an amazing room visible from several sides where admission is not allowed because of its floor's delicacy.

  7. 29 de jun. de 2024 · At the time of the discovery of this monumental marble vase, which may have been a lucky finding on the Esquiline Hill in the 1570s (Di Cosmo - Fatticcioni 2010, 77 note 1), the vase must have appeared to the eyes of the discoverers as broken into dozens of pieces, but, altogether, almost complete in all its parts.