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  1. 9 de mai. de 2024 · Miles Anthony Daley as George Treadwell (and others), Ashford Campbell as Ben E.King, Rudy Lewis (and others), Daniel Haswell as Johnny Moore, Gerhart Thrasher (and others) and Tarik Frimpong as Clyde McPhatter, Lover Patterson (and others) gave us some of the best harmonies I’ve seen on stage in a while.

  2. 9 de mai. de 2024 · Carly Mercedes Dyer as Faye Treadwell and Miles Anthony Daley as George Treadwell Faye Treadwell is the legendary manager of The Drifters who fought for three decades alongside her husband (George Treadwell) played by Miles Anthony Daley to turn Atlantic Records' hottest vocal group into a global phenomenon.

    • Saffron Jenkins
  3. 9 de mai. de 2024 · The core performers, Miles Anthony Daley (George Treadwell), Ashford Campbell (Ben E King and Rudy Lewis), Daniel Haswell (Johnny Moore, Gerhart Thrasher) and Tarik Frimpong (Clyde McPhatter, Lover Patterson), give impeccable performances with nuanced differences between the Drifter they are portraying at a given time, it’s really ...

  4. 3 de mai. de 2024 · Matthew Dawkins, Davis, Tarik Frimpong and Daniel Haswell are kept busy playing all the band members, as well as George Treadwell (Dawkins), and the many other male characters who drift in and out of the story.

  5. 9 de mai. de 2024 · The Drifters Girl tells the story of the world’s first African American female music manager Faye Treadwell who alongside her husband George turned the Atlantic Records’ vocal group The Drifters into a global phenomenon. The musical charts three decades of hit record highs from the 1950s onwards.

  6. 4 de mai. de 2024 · George Treadwell, who was the manager of the Drifters, fired the members of the Original Drifters and hired the Five Crowns as the New Drifters … known as the Ben E. King Era of the Drifters. Ben was the new voice of the Drifters in 1959.

  7. 3 de mai. de 2024 · Ed Curtis’s book makes Faye Treadwell its central character. It was Faye with her soon-to-be husband, George, who took on the management of an early iteration of the band in the 1950s – when they were an R&B group of the kind that seldom troubled the mainstream US charts.