Resultado da Busca
25 de jun. de 2024 · Charles Villiers Stanford, one of the great choral composers of the late 19th/early 20th century, died on 29 March 1924. As executors of the Stanford estate, the RSCM publishes a vast range of Stanford’s music, available from RSCM Music Direct.
- CHARLES VILLIERS STANFORD: Te Deum & Elegiac Ode
A disc that all fans of Stanford or 19th Century British...
- CHARLES VILLIERS STANFORD: Orchestral Songs - British Music ...
Stanford …was in the habit of orchestrating his songs for...
- CHARLES VILLIERS STANFORD: Te Deum & Elegiac Ode
27 de jun. de 2024 · A disc that all fans of Stanford or 19th Century British Choral music will be delighted to acquire. Review by Nick Barnard. Lyrita now complete the set of the major choral works with the Te Deum Op.66 written for the Leeds Festival (and its famed chorus) to commemorate Queen Victoria’s Golden Jubilee in 1898...
19 de jun. de 2024 · Stanford …was in the habit of orchestrating his songs for solo voice and piano, often for the purpose of having an interlude or diversion in an orchestral concert…. or a choral concert, where the song might be an appropriate focus or ‘show piece’ for one of the attendant soloists.
Há 4 dias · This page lists all recordings of Te Deum, op. 66 by Charles Villiers Stanford (1852–1924).
30 de jun. de 2024 · The following day members of the Society attended Mattins at the Queen’s Chapel at St. James’ Palace, where the music included works by Stanford. It was good to be able to mark the Anniversary in this way. John Covell Chairman of The Charles Villiers Stanford Society
13 de jun. de 2024 · A periodical series of reflections on recorded and unrecorded works by Charles Villiers Stanford by Christopher Howell 23. Stanford & Chadwick’s Book of Choruses. Vast as Stanford’s catalogue of compositions is, things are still turning up. A few days ago, I chanced upon a title that was new to me: Sweet is Tipperary.
Há 3 dias · Charles Villiers Stanford felt a special affinity for the orchestral song, an idiom which began to establish itself as a distinct art form in its own right at the end of the nineteenth century with composers such as Mahler, Richard Strauss, Elgar and Bantock.
