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25 de jun. de 2024 · Craft Recordings is pleased to announce Ornithology: The Best of Bird, a brand-new Charlie “Bird” Parker collection that introduces the legendary saxophonist through 11 classic tracks.
16 de jun. de 2024 · Charlie Parker (Bird) and Dizzy Gillespie entered the recording studio together for the last time on June 5th, 1950 (along with Thelonious Monk, piano, Curly Russell, bass, and Buddy Rich,...
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20 de jun. de 2024 · These rare recordings capture Bird’s fearless collaborations with titans like Dizzy Gillespie, Machito, and Woody Herman, where their musical chemistry sparked like a wildfire, igniting innovative cross-pollinations that set the stage ablaze.
Há 4 dias · Jazz has its fair share of seminal moments, but there are few that feel as groundbreaking as the creation of bebop. The style — which was ushered into existence in the late 1940s and '50s by pioneers like Charlie Parker, Dizzy Gillespie, Bud Powell and a handful of others — was a major leap in.
5 de jun. de 2024 · The record documents stunning performances recorded live in 1952 and 1953, at the Howard Theatre in Washington, D.C., featuring stellar band members Max Roach, Charlie Byrd and Zoot Sims, among others. This edition comes on midnight blue vinyl, includes original liner notes from producer Bill Potts, and is designed like a classic ’50s Blue Note LP.
18 de jun. de 2024 · In late 1946, Charlie Parker and Dizzy Gillespie headed west for a two-month stint at Billy Berg’s nightclub in Hollywood. Parker’s raging drug habit and eccentric proclivities made it a challenging gig for Gillespie and their bandmates, but when it came time to return to New York, Parker stayed behind, much to the concern of
25 de jun. de 2024 · wellnesshotellimburg is pleased to announce Ornithology: The Best of Bird, a brand-new Charlie “Bird” Parker collection that introduces the legendary saxophonist through 11 classic tracks. Spanning 1945–1953, the album compiles material from the influential jazz artist’s most prolific era, including such prime cuts as “Ko-
