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    America Lost and Found film

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  1. 26 de mai. de 2024 · Realizado e escrito por Raoul Peck e narrado pelo ator Lakeith Stanfield, “ Ernest Cole: Lost and Found ” é um documento importante, mas não fundamental, sobre a vida do fotógrafo sul-africano que capturou a realidade brutal do apartheid para a revista Drum e o New York Times, e que, por isso mesmo, tornou-se persona non grata ...

  2. Há 4 dias · Long considered a lost film, the North American version of the German film was discovered in Oregon in 2010, buried under a cellar floor and coated in machine oil. The UCLA Film & Television Archive and The Film Foundation restored the film from a 35mm nitrate silent tinted print. Set to be screened on April 6, 2024 at the Billy ...

  3. 25 de mai. de 2024 · 25 de Maio, 2024. Publicado por Jorge Pereira Rosa. O filme “ Ernest Cole: Lost And Found “, exibido na seleção oficial como sessão especial, e “ The Brink Of Dreams “, presente na Semana da Crítica, venceram ex aequo o L’Œil d’or, prémio independente – criado em 2015 – em relação aos melhores documentários ...

  4. 20 de mai. de 2024 · “Ernest Cole: Lost and Found” premiered at the 2024 Cannes Film Festival. Magnolia Pictures will release it in the U.S.

  5. 14 de mai. de 2024 · Raoul PECK. 2024. Special Screenings. Ernest Cole, a South African photographer was the first to expose the horrors of apartheid to a world audience. His book House of Bondage, published in 1967 when he was only 27 years old, led him into exile in NYC and Europe for the rest of his life, never to find his bearings.

  6. 24 de mai. de 2024 · Ernest Cole: Lost And Found is the latest film from Peck, whose body of work includes the Oscar-­nominated I Am Not Your Negro and Cannes Directors’ Fortnight title Lumumba. The documentary...

  7. 22 de mai. de 2024 · In “Lost and Found,” LaKeith Stanfield reads the words of Ernest Cole, but in this movie the equivalent of the lyric directness of Baldwin’s literary genius isn’t the passages we hear from Cole’s letters, journals, etc. (as moving as some of them are). Rather, it’s Cole’s photographs, which take up the entire film.