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24 de mai. de 2024 · Fundada pela ex-dançarina do Ballet Russes Alicia Markova em 1950, a ENB decidiu alcançar novos públicos e cultivar futuros talentos. Hoje, sob a direção artística de Aaron S Watkin, seu repertório lidera abordagens revisionistas dos clássicos ao lado de encomendas inteiramente novas.
24 de mai. de 2024 · English National Ballet is a leader of innovation in the craft. Established by former Ballet Russes dancer Alicia Markova in 1950, ENB set out to reach new audiences and nurture future talent. Today, under the artistic direction of Aaron S Watkin, their repertoire spearheads revisionist takes on the classics alongside entirely new commissions.
25 de mai. de 2024 · English National Ballet has a long and distinguished history. Founded in 1950 as London Festival Ballet by the great English dancers Alicia Markova and Anton Dolin, it has been at the forefront of ballet’s growth and evolution ever since.
14 de mai. de 2024 · When Alicia Markova left the company the following year, Fonteyn took over many of her classical roles, including Giselle, and became a leading danseuse of the Vic-Wells Ballet. In 1939 she danced Aurora in a revival of The Sleeping Beauty; her interpretation is still considered the definitive Aurora of the era.
- The Editors of Encyclopaedia Britannica
Há 1 dia · Alicia Markova, The Royal Ballet’s first prima ballerina, was instrumental in starting the Jacob’s Pillow Dance Festival. The Jacob’s Pillow “takeover” will also be a homecoming, of sorts, for company dancers hailing from the U.S.
13 de mai. de 2024 · Alicia Markova became the company’s first prima ballerina in 1933. When she left the company in 1935, many of her roles were inherited by the 16-year-old Margot Fonteyn, who later matured into one of the great ballerinas of the century.
27 de mai. de 2024 · Fracci rapidly became the quintessential Romantic ballerina. In 1957, Anton Dolin chose her to join Yvette Chauviré, Margrethe Schanne and Alicia Markova for his Pas de Quatre at the Nervi Festival, the following year he invited her to take part in a gala with the London Festival Ballet, and in 1959 she returned for her first important Giselle.
