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13 de mai. de 2024 · Mary Pickford (left) in The Little Princess (1917), directed by Marshall Neilan. Pickford began working as a motion-picture extra at D.W. Griffith ’s Biograph Company, starring in his 1909 film The Violin Maker of Cremona. Though actors’ names were not listed in film credits, Pickford’s face quickly became well known.
- The Editors of Encyclopaedia Britannica
Há 2 dias · The Cabinet of Dr. Caligari ( German: Das Cabinet des Dr. Caligari) is a 1920 German silent horror film directed by Robert Wiene and written by Hans Janowitz and Carl Mayer.
Há 4 dias · A Light Woman: George L. Cox: Helen Jerome Eddy, Hallam Cooley, Claire Du Brey: Drama: Pathe Exchange: The Little 'Fraid Lady: John G. Adolfi: Mae Marsh, Tully Marshall: Drama: FBO: The Little Grey Mouse: James P. Hogan: Louise Lovely, Sam De Grasse, Rosemary Theby: Drama: Fox Film: Little Miss Rebellion: George Fawcett: Dorothy Gish ...
Há 4 dias · film noir, style of filmmaking characterized by such elements as cynical heroes, stark lighting effects, frequent use of flashbacks, intricate plots, and an underlying existentialist philosophy. The genre was prevalent mostly in American crime dramas of the post- World War II era.
Há 1 dia · Metropolis is a 1927 German expressionist science-fiction silent film directed by Fritz Lang and written by Thea von Harbou in collaboration with Lang [6] [7] from von Harbou's 1925 novel of the same name (which was intentionally written as a treatment ). It stars Gustav Fröhlich, Alfred Abel, Rudolf Klein-Rogge, and Brigitte Helm.
Há 4 dias · Partner. Edith Lewis ( c. 1908 –1947) Signature. Willa Sibert Cather ( / ˈkæðər /; [1] born Wilella Sibert Cather; [2] December 7, 1873 [A] – April 24, 1947) was an American writer known for her novels of life on the Great Plains, including O Pioneers!, The Song of the Lark, and My Ántonia. In 1923, she was awarded the Pulitzer Prize ...
Há 2 dias · Between 1910 and 1950, parallel to the rise of Hollywood’s Golden Age, a new movie genre — race films — was born. Though their history is largely forgotten, they were made specifically for African American audiences, starred black performers, and were wildly popular in their time. In Center Stage: African American Women in Silent Race Films, CAAM highlights five significant race films ...
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