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  1. Há 5 dias · Drawing on Gregory Bateson's work, this article analyses how habits shape this relational bond in two robotic artworks: Ruairi Glynn's Performative Ecologies and Paula Gaetano Adi's Anima. These case studies illustrate how the performance space provides an ideal ground to experiment with habit formation at the interface of humans and robots.

  2. 26 de jun. de 2024 · The book successfully integrates Gregory Batesons understanding of the human hand, and further extends it to the study of Addiction, studying the relationships between the different fingers (lenses) to revel how the study of addiction so far has been myopic and compartmentalized.

  3. 30 de jun. de 2024 · Gregory Bateson was a British-born American anthropologist who contributed to the field of cybernetics. He championed the idea that psychological disorders, particularly schizophrenia, were caused by situations of double bind and were ultimately communication problems.

    • The Editors of Encyclopaedia Britannica
  4. 1 de jul. de 2024 · Request full-text PDF. To read the full-text of this research, you can request a copy directly from the author. ... Gregory Bateson; View. How Writing Came About. Article. Jan 1998;

  5. Há 5 dias · Drawing on the work of Erving Goffman and Gregory Bateson, early scholars of framing such as David A. Snow and Robert D. Benford developed the idea of “frame alignment processes” to guide empirical research into the culturally mediated interpretive processes social movement actors engage in to debate and challenge extant meanings and to articulate new ones that animate and sustain ...

  6. 17 de jun. de 2024 · From Schismogensis to Immanent Mind • Gregory Bateson's career illustrates how radically cybernetics and information theory could be transformed when applied to subjects as diverse as New Guinea headhunters, schizophrenic patients, alcoholism, and religion • The concept of schismogenesis explains how schisms were generated ...

  7. Há 2 dias · Richard Schechner and Gregory Bateson, amongst others, have used the ‘nip (play)/bite (serious)’ theory to demonstrate how theatre works. Footnote 67 Bateson’s statement about the meaning of play—‘these actions in which we now engage do not denote what those actions for which they stand would denote’—cuts to the heart of the theatrical paradox.