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  1. 4 de mai. de 2024 · While Philip III ( P1176) powerfully steers his white horse in an image overflowing with energy, his wife, Margarita de Austria (1584-1611) rides a chestnut steed with a tranquil and unhurried gait. As with the portrait of Philip III, the present likeness avoids a rigorous profile, as the queen and her mount are slightly foreshortened.

  2. 20 de mai. de 2024 · Philip the Handsome [b] (22 July 1478 – 25 September 1506), also called the Fair, was ruler of the Burgundian Netherlands and titular Duke of Burgundy from 1482 to 1506, as well as the first Habsburg King of Castile (as Philip I) for a brief time in 1506. The son of Maximilian of Austria (later Holy Roman Emperor as Maximilian I) and Mary of ...

  3. 23 de mai. de 2024 · Margaret (10 January 1480 – 1 December 1530), married firstly to Juan, Prince of Asturias, the son and heir of King Ferdinand II of Aragon and Queen Isabella I of Castile, and secondly to Philibert II, Duke of Savoy.

  4. 20 de mai. de 2024 · of Austria 1432–1462: Ladislaus the Posthumous 1440–1457 King of Hungary: Elizabeth of Austria 1436–1505: Casimir IV Jagiellon 1427–1492 King of Poland: Joanna 1479–1555 Queen of Castile and Aragon: Philip I the Handsome 1478–1506 King of Castile: John 1478–1497 Prince of Asturias: Margaret 14801530 Duchess of Savoy ...

  5. 16 de mai. de 2024 · Picó Monzó, C. (ed.), Correspondencia de Margarita de Austria (1480-1530). El acto ha sido organizado por la Universidad de Salamanca y la Fundación Carlos de Amberes, con la colaboración de la Generalitat Valenciana y el Ayuntamiento de Madrid.

  6. 22 de mai. de 2024 · Los Tudor. 29.1K subscribers. 0. 1 minute ago. La archiduquesa Margarita de Austria (10 de enero de 1480 - 1 de diciembre de 1530) fue gobernadora de los Países Bajos de los Habsburgo de...

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  7. 11 de mai. de 2024 · This poignant bust of the Virgin, lamenting the death of her son, Jesus, was probably made by Pietro Torrigiani, an Italian living in Bruges, where he was in the service of Archduchess Margaret of Austria. For Margaret, herself a grieving widow, the theme of Mary’s mourning had great resonance.