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  1. 16 de mai. de 2024 · Arnold Schoenberg, Austrian-American composer who created new methods of musical composition involving atonality, namely serialism and the 12-tone row. He was also one of the most-influential teachers of the 20th century; among his most-significant pupils were Alban Berg and Anton Webern.

  2. Há 1 dia · Arnold Schoenberg or Schönberg (13 September 1874 – 13 July 1951) was an Austrian and American composer, music theorist, teacher and writer. Among the first modernist composers to write music of dense motivic relations saturating the musical texture , he propounded concepts like developing variation , the emancipation of the dissonance , and the " unity of musical space ".

  3. 26 de mai. de 2024 · To the occasional listener of symphony concerts, Arnold Schönberg (1874-1951) is generally known as one of the boldest modernists in music history. What surprises many people who take a closer look at his biography, however, is that he was anything but politically progressive.

  4. 21 de mai. de 2024 · Arnold Schönberg (* 13. Sept. 1874 in Wien † 13. Juli 1951 in Los Angeles) "Acht Canons“ 1. „Es ist zu dumm“ 2. „Mister Saunders“ 3. „Wer mit der Welt laufen will“ 4. "I am almost ...

    • 11 min
    • 98
    • LeCap
  5. 12 de mai. de 2024 · Arnold Schönberg's Erwartung, monodrama in one act for soprano and orchestra op. 17, poem by Marie Pappenheim. Performed by the WDR Symphony Orchestra and mezzo-soprano Tanja Ariane...

    • 28 min
    • 2,6K
    • WDR Klassik
  6. Há 3 dias · It affects all states of mind. For the first time, the Arnold Schönberg Center will be presenting a curated examination of deep feelings in Schönberg’s scores, investigating contexts, and providing access to points of reference for a newly sounding language of love in musical modernism around 1900. Love song, symphonic poem, and ...

  7. 29 de mai. de 2024 · For the first time, the Arnold Schönberg Center will be presenting a curated examination of deep feelings in Schönbergs scores, investigating contexts, and providing access to points of reference for a newly sounding language of love in musical modernism around 1900.

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