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14 de abr. de 2023 · Sulla (negletta) influenza di Austin Osman Spare sul Surrealismo — intendendo il surrealismo non solo come dinamica artistica, ma come prassi magica. Devono davvero essere poche le persone interessate all’arte di questi tempi, a Londra, a non conoscere il nome di Austin Osman Spare. Oscura la tua dimora, chiudi la porta, rendi vuota la mente.
12 de mar. de 2021 · Austin Osman Spare may be “one of the most overlooked figures in British art history,” says legendary graphic novelist Alan Moore. But he often chose a path of near-obscurity since the creative vision that inspired his art also made him “possibly the greatest English magician of the twentieth century.”
Austin Osman Spare (30 December 1886 – 15 May 1956) was an English artist and occultist who worked as both a draughtsman and a painter. Influenced by symbolism and art nouveau his art was known for its clear use of line, and its depiction of monstrous and sexual imagery. In an occult capacity, he developed idiosyncratic magical techniques ...
Austin Osman Spare (30 December 1886 – 15 May 1956). An English occultist, artist, author, and a Probationer of the A∴A∴, Spare was best known for his drawings which drew comparisons to the work of Aubrey Beardsley.
1 de mai. de 2017 · Austin Osman Spare, a British outsider artist who died in the 1950s, was also the grandfather of Chaos Magick. Here’s more about his bizarre and often disturbing life. Austin Osman Spare (1886—1956) was an English artist—and practicing occultist. He was also the inventor of many of the techniques that would later be dubbed chaos magick.
Austin Osman Spare (31 de diciembre de 1888 Snow Hill (Londres) - (Londres) †15 de mayo de 1956), fue un pintor, escritor y practicante de varias corrientes ocultistas. Hijo de Philip Newton Spare, un policía de Londres, y Eliza Ann Adelaide Osman. De niño mostraba afinidad por el arte, y tempranamente comenzó clases nocturnas en la ...
Austin Osman Spare: magista do caos. A obra reunida de um dos maiores ocultistas de todos os tempos.
