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Mary Berenson (14 February 1864–23 March 1945) American expatriate scholar, Mary Berenson (née Whitall Smith) (Fig. 1), collaborated with her second husband, the connoisseur Bernard Berenson, in creating a foundational canon for the field of Italian Renaissance painting with their attributional lists.
In late 2019 the Morgan assumed the cost of digitizing the four boxes of the Bernard and Mary Berenson Papers at I Tatti that contain the letters Greene wrote to Berenson. Coinciding with the museum’s closure due to the COVID-19 pandemic, in June 2020, a team at the Morgan composed of colleagues from numerous departments began to transcribe the letters, which number over 600.
16 de dez. de 2022 · Mary became greatly interested in Berenson’s work, so she and her husband to joined Berenson in Florence and Rome in December 1890. Eventually Mary and Bernard became clandestine lovers, and by 1891 Mary convinced her husband to allow her to spend a year in Italy working with Bernard as his pupil in the study of Italian Renaissance art.
Mary Berenson, née Mary Whitall Smith à Philadelphie en 1864 et morte le 23 mars 1945, qui a aussi signé avec le nom de Mary Logan, est une historienne de l'art américaine. Son nom et celui de Bernard Berenson sont attachés à la villa I Tatti , à Florence , siège du Harvard Center for Italian Renaissance Studies.
Mary Berenson. Relatives. Senda Berenson Abbott (sister) Bernard Berenson (June 26, 1865 – October 6, 1959) was an American art historian specializing in the Renaissance. His book The Drawings of the Florentine Painters was an international success. His wife Mary is thought to have had a large hand in some of the writings.
Berenson acquired his first works as a dealer/facilitator (Impressionist works and a Piero di Cosimo) for his friend, the British collector James Burke, in 1892. His book Venetian Painters, largely a rewrite of Mary Berenson‘s notes, appeared in 1894.
The Berensons continued to live at I Tatti until they died, Mary in 1945 and Bernard in 1959. Bernard Berenson, who had graduated from Harvard College in 1887, credited his success as a historian and critic of late Medieval and Renaissance art to his strong education in the humanities. He planned early on to leave his estate to his alma mater ...
