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  1. First Los Angeles Philharmonic performance: January 7, 1988, Simon Rattle conducting, with the Los Angeles Master Chorale. Harmonium (1980) and Shaker Loops (1978) represent my first mature statements in a language that was born out of my initial exposure to Minimalism. From the very start my own brand of Minimalism began to push the envelope.

  2. 16 de dez. de 2016 · This is a live recording from the performance of the JACK Quartet organized by the University of Iowa String Quartet Residency Program and the Center for New...

    • 28 min
    • 116,5K
    • Volkan Orhon
  3. 27 de out. de 2006 · In diesem Fall sind es die - von Adams selbst dirigierten - Shaker Loops, die mein Kopfkino in Gang setzten, obwohl man über die Klasse eines Gideon Kremer ebensowenig wie über die von Kent Nagano (und letztlich auch über die von Adams' Violinkonzert) kaum zu diskutieren braucht: Vor allem die ganz leisen, zarten, unglaublich hohen Streichertöne dieses Meisterwerks der Dynamik und ...

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  4. John Adams: Harmonium by John Adams released in 1985. Find album reviews, track lists, credits, awards and more at AllMusic. ... Adams: Harmonium; Shaker Loops (1999)

  5. Œuvres principales Shaker Loops Nixon in China El Dorado El Niño On the Transmigration of Souls (Prix Pulitzer de musique) modifier John Coolidge Adams , né le 15 février 1947 à Worcester (Massachusetts), est un compositeur et chef d'orchestre américain de musique contemporaine . Au départ fortement inspiré par la musique minimaliste , il s'en éloigne en produisant des œuvres dans ...

  6. Teaching at the San Francisco Conservatory of Music, Adams developed his own minimalist aesthetic, which was first fully realized in Phrygian Gates (1977) and later in the string septet Shaker Loops. Increasingly active in the contemporary music scene of San Francisco , his large-scale orchestral works Harmonium and Harmonielehre (1985) first gained him national attention. [3]

  7. At times this piece sounds like Adams’s popular Shaker Loops with words, at others like a Philip Glass tribute with characteristic pulses of flute and strings, at still others like a ritual of its own kind. It is a pastiche of poetry (John Donne and Emily Dickinson provide the texts), a bridge of intentions, a house with only two windows.