Resultado da Busca
Henrietta Maria: Dangerous Consort Susan Dunn-Hensley In June 1645, during the Battle of Naseby, parliamentary forces under Sir Thomas Fairfax captured the supply wagons that contained Charles I and Queen Henrietta Maria’s private correspondence. In seizing more than 200 royal letters, parliament laid claim to a powerful weapon in the propa -
Maria Henrietta Stuart im Alter von neun Jahren (Gemälde von Anthonis van Dyck 1641) Prinzessin Maria Henrietta wurde als das zweite überlebende Kind des Königs Karl I. von England, Schottland und Irland und dessen Frau Henrietta Maria von Frankreich im November 1631 in London geboren.
9 de mar. de 2024 · Portret van Willem II, prins van Oranje, en Maria Henrietta Stuart Documentatie Courtly rivals in The Hague : Elizabeth Stuart (1596-1662) & Amalia von Solms (1602-1675) , Nadine Akkerman, p. 72, afb. 53
Prinzessin Maria, Princess Royal, Prinzessin von Oranien und Herzogin von Nassau (Mary Henrietta Oranien-Nassau, geborene Stuart; * 4. November 1631 im St James’s Palace, London; † 24. Dezember 1660 im Palace of Whitehall, ebenda) war die älteste Tochter des Königs Karl I. von England, Schottland und Irland und dessen Frau, Henrietta Maria von Frankreich.
21 de fev. de 2024 · Portret van Maria Henriëtte Stuart, Princess Royal en Prinses van Oranje-Nassau, Wenceslaus Hollar, after Anthony van Dyck, 1641 etching, h 156mm × w 118mm More details
Henrietta Maria has been vigorously presented as the lightning rod of Catholic activism as it impacted on the English Civil Wars and her connection with Marian imagery in literature has been explored.7 But Henrietta Maria’s engagement with religious artworks and iconography in her portraits and palace display has received limited attention.8 Indeed, art historical analysis of Stuart queens ...
Henrietta Maria and the political value of emotional display at the Stuart court Erin Griffey Art History, The University of Auckland, Auckland, New Zealand ABSTRACT ARTICLE HISTORY Through an investigation of letters, accounts and artworks, this article demonstrates how Queen Henrietta Maria’s emotions were carefully calibrated to conform to conventions of appropriate behaviour and to ...
