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Maurice de Vlaminck. Maurice de Vlaminck ( París, 4 d'abril del 1876 – 11 d'octubre del 1958) fou un pintor francès que, junt amb André Derain i Henri Matisse, representa una de les figures cabdals del fauvisme, un grup d' art modern que, des del 1904 fins al 1908, es caracteritzà principalment per l'ús de colors intensos. [1]
Portrait of Derain, 1905. The Girl at Rat Mort, 1905. The Weighing-Place at Longchamps, 1905. Still Life with Pitcher and Fruit, 1906. The Girl from Rat Mort, 1906. The Seine and the Chatou Bridge, 1906. The Bridge at Chatou, 1906. Woman With a Dog, 1906. The River Seine at Chatou, 1906.
Maurice de Vlaminck was born on April 4, 1876 in Paris. He grew up in a working class family of musicians. His father Edmond Julien taught the violin, and his mother Joséphine Caroline Grillet taught piano. When he was three years old his family moved to Le Vesinet, a town about 10 miles northwest of Paris, to live with his grandmother.
Maurice de Vlaminck (1876 - 1958) It was in 1900, after meeting Derain, that Maurice de Vlaminck decided to become a full-time painter. Landscapes, particularly the Seine around Paris, were one of his favourite subjects. Here it is the village of Bougival and more particularly the restaurant "La Machine" which he has chosen as a motif.
Galeria Maurice De Vlaminck (1876-1958) | Trabalho 197 | Obra | Fauvismo, fauvismo | Maurice de Vlaminck (Paris 4 de abril de 1876 — Rueil-la-Gadelière 11 de outubro de 1958) foi um pintor francês.
Maurice de Vlaminck foi um pintor francês. Ao lado de André Derain e Henri Matisse, é considerado um dos principais artistas do movimento fauvista, caracterizado pela distorção das formas e das cores em suas obras. O pintor é considerado um dos mais audazes do Fauvismo no exagero das formas e das cores.
La obra de Vlaminck está muy influida por el colorido y la pincelada de Vincent van Gogh, sobre cuya obra se había mostrado una retrospectiva en París en 1901. Realizadas con pigmentos puros e intensos, sus obras fauvistas producen brillantes contrastes cromáticos, como es el caso de Árboles rojos (1906, Museo Nacional de Arte Moderno, París).
