Resultado da Busca
6 de dez. de 2021 · The novel is one of the many possible prose narrative forms. It shares with other narratives, like the epic and the romance, two basic characteristics: a story and a storyteller. The epic tells a traditional story and is a combination of myth, history, and fiction. Its heroes are gods and goddesses and extraordinary men and women.
Compre online Aspects of the Novel, de Forster, E M na Amazon. Frete GRÁTIS em milhares de produtos com o Amazon Prime. Encontre diversos livros escritos por Forster, E M com ótimos preços.
- Capa Comum
ASPECTS OF THE NOVEL follows the text of a series of lectures E. M. Forster gave at Cambridge in 1927. He departed boldly from convention by trying to get his listeners to picture the great novelists of history writing at the same time in the same room--this to protect us from the pseudo-scholarly impulse to classify by period without a careful exploration of themes.
- E.M. Forster
Aspects of the Novel, E.M. Forster's 1927 treatise on the "fictitious prose work over 50,000 words" is, it turns out, for anyone with the faintest interest in how fiction is made. Open at random, and find your attention utterly sandbagged.
- Capa Comum
This book separates the seven components crucial to a novel: story, people, dream, plot, prophecy, pattern, and rhythm. Forster conveys this information in a straightforward and easy way mocking the "pseudoscholarship" of conventional literary analysis. After mentioning about a Shakespearean scholar, Forster begins to set his methodology.
7 de abr. de 2023 · That is the fundamental difference between these two aspects of the novel. A plot cannot be told to a gaping audience of cave men or to a tyrannical sultan or to their modern descendant the movie-public. They can only be [Pg 130] kept awake by "and then—and then——" They can only supply curiosity.
14 de abr. de 2019 · Categories: Literature, Novel Analysis. E. M. Forster’s (1 January 1879 – 7 June 1970) most systematic exposition of the novelist’s art, Aspects of the Novel, is no key to his own practice. Written three years after the publication of A Passage to India, the work surveys neither his achievement nor his intentions.
