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  1. In Which We Serve is not only one of the greatest of all British war movies but also marks the mighty David Lean's first major contribution to cinema. Full Review | Original Score: 5/5 | May 24, 2003

  2. Synopsis. Based on the true story of Lord Mountbatten's destroyer, "In Which We Serve" is one of the most memorable British films made during World War II. Unfolding in flashback as survivors cling to a dingy, the film interweaves the history of HMS Torrin with the onshore lives of its crew. The 1942 film was the inspiration of Noël Coward ...

  3. Directed by David Lean and Noël Coward • 1942 • United Kingdom. Starring Noël Coward, Bernard Miles, John Mills. In the midst of World War II, the renowned playwright Noël Coward engaged a young film editor named David Lean to help him realize his vision for an action drama about a group of Royal Navy sailors (roles that would be filled ...

  4. 与祖国同在的剧情简介 · · · · · ·. 故事发生在一艘名为“托林号”的英国皇家海军驱逐舰上,在一场激烈的海战中,该驱逐舰击落了多驾敌机,创下了赫赫战功,但它也因为拼搏在战斗的第一线而伤痕累累,最终中弹起火。. 在舰长金洛斯(诺埃尔·考沃德 ...

  5. 27 de mar. de 2012 · Mar 27, 2012. G ood wartime propaganda films are as rare as good wars. Noël Coward and David Lean’s In Which We Serve, which had its premiere in Great Britain in September 1942, when the nation was entering the fourth year of hostilities with the Axis powers, was clearly and unabashedly conceived as a morale booster for a battered, Blitz ...

  6. Directed by David Lean and Noël Coward • 1942 • United Kingdom In the midst of World War II, the renowned playwright Noël Coward engaged a young film editor named David Lean to help him realize his vision for an action drama about a group of Royal Navy sailors (roles that would be filled by Coward himself, Bernard Miles, and John Mills, among others) fighting the Germans in the ...

  7. Hardback, Paperback, Kindle. A collection of three of Noël Coward's most important works for the screen - In Which We Serve (1942), Brief Encounter (1945) and The Astonished Heart (1950) - alongside some expert commentary by Coward expert Barry Day, and a foreword by Laurence Kardish, Senior Curator Emeritus, Film, The Museum of Modern Art ...