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Art & Reconciliation: Conflict, Culture and Community is a multi-year, collaborative and inter-disciplinary research project that ran from 2016-2019.It was funded by the UK Arts and Humanities Research Council (AHRC) as part of the Partnership for Conflict, Crime and Security (PaCCS) research programme and Global Challenges Research Fund (GCRF).
1. More ‘Art’ Than Science. Reconciliation in the aftermath of violent conflict – especial-ly where it has involved mass atrocity, divided communities and destroyed lives – is an immensely dificult challenge. The extent to which different types of transitional justice mecha-nisms may or may not lead to reconciliation remains murky, with ...
Reconciliation in the aftermath of violent conflict – especially where it has involved mass atrocity, divided communities and destroyed lives – is an immensely difficult challenge. The extent to which different types of transitional justice mechanisms may or may not lead to reconciliation remains murky, with little empirical evidence to support claims either way.
In May 2019, the Art of Reconciliation was conceptually created by Art Therapist, Debbie Douez, and Tanya Clarmeont from the Victoria Native Friendship Centre. Over the course of several months, Tanya and Debbie led a series of community consultations and individual meetings with local members of the Songhees and Esquimalt Nations, potential partners and numerous community leaders in the ...
Fiona Nicoll. 1993, Meanjin. The manner in which the Australian government uses Aboriginal art as a tool for reconciliation is discussed through examples such as the Aboriginal art mosaic in front of the Parliament House. However, Aborigines consider it as an exploitation of their Aboriginality and a token gesture from the state which actually ...
31 de dez. de 2021 · The drums are adorned with images of a wolf, raven and a frog — which reflect a trio for concept groups representing the air, land and water, as well as elders, adults and youth who, in turn, have ties to the past, present, future. “It’s also a reflection around the land back aspect of reconciliation,” Newman said.
The dialogic potential of art is therefore to open up a space for what Lederach calls the “moral imagination” in peacebuilding, transitional justice, and reconciliation. “Moral imagination” allows us to recast how we think about reconciliation as space in which paradox and contestation can be accommodated, rather than seeking a single narrative or experience.
