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Gary Trousdale is an American animator, film director, screenwriter and storyboard artist. He is best known for directing films such as Beauty and the Beast (1991), The Hunchback of Notre Dame (1996), and Atlantis: The Lost Empire (2001).
Director: The Hunchback of Notre Dame. Gary Trousdale was born in La Crescenta, California. His fascination with animation was fostered as a child, where he drew cartoons from an elementary school age.
Gary Trousdale (La Crescenta-Montrose, 8 de junho de 1960) é um cineasta estadunidense, atuando na direção e produção de muitas animações da Disney. [1] Filmografia
Gary A. Trousdale (born June 8, 1960) is an American film director known for directing movies such as Beauty and the Beast, The Hunchback of Notre Dame and Atlantis: The Lost Empire. He frequently directs films with Kirk Wise.
Gary Allen Trousdale is an American film director, animator, and screenwriter, known for directing movies, such as Beauty and the Beast, The Hunchback of Notre Dame, and Atlantis: The Lost Empire. He frequently works with Kirk Wise and Don Hahn.
Gary Trousdale. Director: The Hunchback of Notre Dame. Gary Trousdale was born in La Crescenta, California. His fascination with animation was fostered as a child, where he drew cartoons from an elementary school age.
Criamos uma lista completa com os melhores filmes e séries do Gary Trousdale. Confira também a biografia, data de estreia dos próximos lançamentos, trailer e muito mais.
Gary Trousdale is a California native and has been a member of the animated film industry since 1984, after studying at California Institute of the Arts (CalArts). Starting in the industry at the Walt Disney Studios Animation FX department on The Black Cauldron as an FX assistant, he was told the job would be just a six month gig…
Gary Trousdale é um Diretor, Roteirista americano. Confira a biografia, os detalhes de seus 21 anos de carreira e todas as notícias sobre ele.
Gary Trousdale expected to be laid off from the House of Mouse at the end of The Black Cauldron, but a series of in-house effects jobs kept him at Disney until his jokey cartoons, and a recommendation from Joe Ranft, helped boost him into Disney Feature Animation’s story department.
