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25 de jun. de 2014 · Eli Wallach, o Tuco do filme Três Homens em Conflito, lançado em 1966, morreu nesta terça-feira, 24, aos 98 anos. A informação, divulgada pelo The New York Times, foi confirmada pela filha ...
Oscar onorario 2011. Eli Herschel Wallach (/ˈilaɪ ˈwɑlək/; New York, 7 dicembre 1915 – New York, 24 giugno 2014) è stato un attore statunitense.. Attore di formazione teatrale dalla carriera cinematografica lunga oltre mezzo secolo, si distinse per la sua attività di caratterista "dalla maschera incisiva e di grande temperamento" sotto la direzione di Elia Kazan, John Sturges, John ...
21 de out. de 2013 · Eli Wallach, il ‘magnifico’ Nel 1951 vince un Tony Award per il ruolo di Alvaro Mangiaco in “La rosa tatuata” di Tennessee Williams. Il debutto nel mondo della celluloide avviene nel 1956 con “ Baby Doll ” di Elias Kazan, fortemente voluto da Tennesse Williams che ne ha curato la sceneggiatura, in un ruolo che gli vale un BAFTA e la nomination ai Golden Globe .
Eli Herschel Wallach, född 7 december 1915 i Brooklyn i New York, död 24 juni 2014 i New York, var en amerikansk skådespelare, vars karriär spände över sex decennier. Wallach var en karaktärsskådespelare som kom att medverka i över 90 filmer.
24 de jun. de 2014 · Eli Herschel Wallach (December 7, 1915 – June 24, 2014) was an American film, television and stage actor, who gained fame in the late 1950s. For his performance in Baby Doll he won a BAFTA Award for Best Newcomer and a Golden Globe nomination. One of his most famous roles is that of Tuco in The Good, the Bad and the Ugly (1966). Other roles include his portrayal of Don Altobello in The ...
20 de jun. de 2024 · Eli Wallach, American character actor of great versatility who was perhaps best known for his film appearances in westerns in the 1960s. Among his most notable films are The Magnificent Seven (1960), How the West Was Won (1962), and The Good, the Bad, and the Ugly (1966).
26 de jun. de 2014 · Eli Wallach, veteran character actor, dies at 98. NEW YORK (AP) — As a masterful character actor and early product of postwar, Method-style theater, Eli Wallach wore countless faces, disappearing into them all. But he was always propelled — in acting and in life — by a mischievousness and an abiding playfulness that made him a tireless ...
