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  1. 18 de mai. de 2021 · Georgia O’Keeffe é considerada a “mãe” do modernismo dos Estados Unidos. Desempenhou um papel importante no desenvolvimento da arte moderna, tornando-se a primeira pintora mulher a ganhar ...

  2. El museo presenta la primera retrospectiva en España de Georgia O’Keeffe (1887-1986). A través de una selección de aproximadamente 90 obras, el visitante puede sumergirse en el universo pictórico de esta artista, considerada una de las máximas representantes del arte norteamericano del siglo XX. La exposición es un recorrido completo ...

  3. Interest is the most important thing in life; happiness is temporary, but interest is continuous. Georgia O'Keeffe. Thinking, Things In Life, People. 152 Copy quote. The men liked to put me down as the best woman painter. I think I'm one of the best painters. Georgia O'Keeffe. Funny, Women, Thinking.

  4. Há 4 dias · Georgia O'Keeffe's rise to fame was against all the odds, both as a female artist as well as in the contemporary approach that tipified her work. Here we examine the most famous paintings from her impressive and varied career. The bold, modernist style of O'Keeffe adorns this colourful section which features all the themes that you would expect ...

  5. Georgia O'Keeffe e sua arte florida. Georgia O'Keeffe - Blue and Green Music, 1919-21 – óleo sobre tela – 58,4 x 48,3 cm – The Art Institute of Chicago, USA. Georgia Totto O'Keeffe (Sun Prairie, Wisconsin, 15 de Novembro de 1887 - 6 de Março de 1986) foi uma artista americana conhecida por suas pinturas de flores ampliadas, crânios de ...

  6. Georgia O'Keeffe: Convertirse en artista. En 1915, O'Keeffe empezó a perseguir la abstracción en el arte mientras enseñaba en el Columbia College de Carolina del Sur. Utilizó las lecciones que aprendió de Dow para crear imágenes realmente únicas. Durante toda su vida, O'Keeffe eligió el óleo y, ocasionalmente, la acuarela.

  7. 26 de mar. de 2018 · O'Keeffe loved bright, bold, and intense color. She would often use bright blues, yellows, greens, reds, and purples. She often painted using flat color, emphasizing the shape of her subject rather than three-dimensional form. Her paintings convey an even lighting, as though everything is painted at high noon.

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