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  1. About Hamilton Camp. Whether performing solo or in a duo with Bob Gibson, Hamilton Camp served as one of the links between the Woody Guthrie and Pete Seeger folk music of the '40s and the singer/songwriter school of Bob Dylan, Tom Paxton, and Phil Ochs in the '60s. Camp's tune "Pride of Man" was covered by Quicksilver Messenger Service in 1967 ...

  2. Hamilton Camp est un acteur britannico-américain, né le 30 octobre 1934 à Londres (Royaume-Uni), décédé le 2 octobre 2005 des suites d'une crise ...

  3. Hamilton Camp. Actor, Writer. Born October 30, 1934 in London, England, UK. Hamilton Camp was born Robin S. Camp and later performed under that name and as Bob Camp when he played in a folk duo with Bob Gibson. Their influential album, "Gibson and Camp at the Gate of Horn", was recorded in Chicago in 1961. When they broke up, Camp continued to ...

  4. Hamilton Camp. Hamilton Camp ( Londen, 30 oktober 1934 – Los Angeles, 2 oktober 2005) was een Amerikaanse acteur van Britse komaf. Camp speelde tussen 1946 en 2005 in bijna honderd films. Hamilton Camp werd geboren in Londen en werd als kind ten tijde van de Tweede Wereldoorlog samen met zijn moeder en zus geëvacueerd naar de Verenigde Staten.

  5. CAMPS FRANCOPHONES. Hamilton et Burlington. Le Centre offre des camps de jour en mars, juillet et août pour les francophones et francophiles de la région. Pour les jeunes de 4 à 15 ans, nos animateurs francophones planifient une grande variété d'activités qui garantissent du plaisir intéractif pour tous les âges !

  6. Hamilton Camp: singer, songwriter, actor - Official Web Site. Wrote Pride Of Man, recorded by Gordon Lightfoot, and a hit for Quicksilver. Performed with Bob Gibson as Gibson and Camp (known as Bob Camp at the time).

  7. Hamilton Camp Sweet Joy [Beachwood BR 2471-2 (2005)] Singer/songwriter/actor Hamilton Camp capped off an impressive career with Sweet Joy, which he finished recording just before his passing in 2005. This bittersweet, unabashedly romantic recording marked Camp’s first recording in many years, and it proved that both his muse and his reedy, unabashedly romantic voice had lost none of their charm.