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  1. While you were out there, chewing on fat for probable cause. I let go. While you were out there weighing odds. I was imploding the mirage. While you were out there looking like that. I walked right out of the camouflage. I wasn't locked in no collage. I was imploding the mirage. I was imploding the mirage.

  2. Imploding the Mirage “In [1977’s] ‘Solsbury Hill’, Peter Gabriel talks about walking out of the machinery—and I think he's talking about Genesis. It’s kind of like that. It's like getting out from underneath the weight of what it is to be in The Killers and what is expected of you, and just doing what you love.

  3. 5 de mai. de 2020 · May 5, 2020. Chad Kirkland for Rolling Stone. When the Killers began work on their new album, Imploding the Mirage, they had virtually everything they needed: a batch of new songs, a seven-month ...

  4. Imploding the Mirage —en español «Volando por los aires el Mirage (Famoso casino de Las Vegas)»— es el sexto álbum de estudio de la banda de rock estadounidense, The Killers. Fue anunciado por Island Records el 29 de mayo de 2020. 3 Se lanzó al mercado el 21 de agosto de 2020 4 por las disqueras Island Records y EMI Records .

  5. 13 de mar. de 2020 · Imploding the Mirage easily belongs alongside those two. The energy emanating from this album is undeniable. Every track has some sort of pulsating, captivating beat and/or catchy melody. I'm not sure how they do it, but The Killers somehow manage to sound brash and bombastic yet earnest and heartfelt.

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  6. Descrição do produto. Imploding the Mirage is The Killers' highly anticipated sixth studio album. Produced by the band with Shawn Everett & Jonathan Rado of Foxygen, it was recorded in LA and Park City, UT, the first of their career to be created outside their Las Vegas hometown. The album also features a brilliant array of collaborators ...

  7. As intended, Imploding the Mirage evokes the scale and natural majesty of the American West, like The E Street Band playing Monument Valley. And at its heart are a series of synth-lined, often Springsteenian tales of love and salvation, inspired by Flowers’ recent move from Las Vegas to Utah—and the effect it had on his wife’s mental health.