Resultado da Busca
Coliseum station is one of the main bus- rail interchanges for East Oakland (along with Fruitvale station) and is served 24/7 by various bus services. It is served by eight AC Transit bus routes, which stop on both sides of San Leandro Street: [10] [17] Local routes 45, 73, 90, and 98. All Nighter route 805.
7000 Coliseum Way. Oakland, California 94621. Inizio lavori. 1962. Inaugurazione. 18 settembre 1966. Proprietario. Oakland-Alameda County Coliseum Authority ( Città di Oakland e Contea di Alameda ) Progetto.
Live at the Oakland Coliseum is a two-disc posthumous live album by the Jimi Hendrix Experience. It documents the group's performance at the Oakland Coliseum in Oakland, California, on April 27, 1969. The Experience broke up two months later, making the album one of the last full-length concert recordings of the trio to be officially issued. [1]
Oakland Alameda Coliseum. 37°45′06″N 122°12′02″W. / 37,751667 -122,200556. Strona internetowa. Oakland Alameda Coliseum – stadion wielofunkcyjny w Oakland w stanie Kalifornia, na którym odbywają się mecze baseballowe i futbolu amerykańskiego. Swoje mecze w roli gospodarza rozgrywa na nim zespół Oakland Athletics ( MLB ).
baseball stadium in Oakland, California, United States. This page was last edited on 22 April 2024, at 07:25. All structured data from the main, Property, Lexeme, and EntitySchema namespaces is available under the Creative Commons CC0 License; text in the other namespaces is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.
Estación Oakland Coliseum. / 37.75224, -122.19799. Estación Oakland Coliseum ( Coliseum/Oakland Airport (OAK) para el BART) es un complejo de dos estaciones en las líneas Dublin/Pleasanton–Daly City, Fremont–Daly City y Richmond–Fremont del Metro de San Francisco que es administrada por la Distrito de Transporte Rápido del Área ...
Le Live at the Oakland Coliseum est le premier volume de la série initiée par Dagger Records en 1998. C'est un enregistrement amateur effectué le 27 avril 1969 par Ken Koga à partir d'un magnétophone à bobines et d'un unique microphone dans l'audience. Il va sans dire que la qualité audio est nettement inférieure à celle du concert ...
