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Giorgione, o Giorgio da Castelfranco, pseudonimo di Giorgio, o Zorzo [1] ( Castelfranco Veneto, 1478 circa – Venezia, 17 settembre 1510 ), è stato un pittore italiano, cittadino della Repubblica di Venezia, importante esponente della scuola veneta. [2] Nonostante la grande popolarità dell'artista in vita, la sua è una delle figure più ...
ジョルジョーネ （ 伊: Giorgione 、1477年/1478年頃 - 1510年 [1] ）は、 盛期ルネサンス の ヴェネツィア で活動したイタリア人画家。. ジョルジオーネとも表記される。. 本名はジョルジョ・バルバレッリ・ダ・カステルフランコ (Giorgio Barbarelli da Castelfranco ...
24 de jan. de 2022 · Giorgione. Los tres filósofos, hacia 1505-1509. Kunthistorisches Museum, Viena. En Viena se conserva, asimismo, Retrato de Laura, en cuya parte trasera figuran unas líneas, quizás autógrafas de Giorgione, en las que se hace saber que quien pintó el cuadro es “colega” de Vincenzo Catena, que trabajaba en el taller de Giovanni Bellini.
Giorgione a innové dans sa pratique de peintre, ce qui lui a permis de modifier son tableau au moment même où il peignait. Le dessin y était donc moins contraignant. Cette pratique s'est, rapidement, communiquée à tous les peintres vénitiens et bien au-delà jusqu'à aujourd'hui : car elle ouvre la création à une plus grande spontanéité et à une plus grande recherche en matière de ...
Giorgione was an Italian painter of the Venetian school during the High Renaissance, who died in his thirties. He is known for the elusive poetic quality of his work, though only about six surviving paintings are firmly attributed to him. The uncertainty surrounding the identity and meaning of his work has made Giorgione one of the most ...
Giorgione is credited with several technical innovations as well. Although Bellini had mastered the new medium of oil pigments, some of his practices remained those of a tempera painter. He planned carefully, defining every element of his compositions in advance. By contrast, Giorgione worked directly and without detailed preparatory drawings.
2 de fev. de 2020 · Some see Giorgione’s hand in the daring face of the young man, while others are convinced that it bears the characteristic marks of a Titian. 5. Giorione’s environment undoubtedly shaped his work, not least in his portrayal of women. Two women and a man, Giorgione, 1510, via Wikiart.
