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  1. Jubal (1956) -- (Movie Clip) Promised Land, I Guess If you wondered whey they were called “psychological Westerns,” ranch foreman Glenn Ford (title character) surprises himself, opening up to Naomi (Felicia Farr), whose father leads a band of pilgrims passing through, in Jubal, 1956, Delmer Daves directing from the screenplay he co-wrote with Russell S. Hughes, from a novel by Paul I. Wellman.

  2. Delmer Daves. Writer: An Affair to Remember. Although Delmer Daves obtained a law degree at Stanford University, he never had the opportunity to use it; while still in college, he obtained a job as a prop boy on The Covered Wagon (1923) and after graduation was hired by several film companies as a technical advisor on films with a college background.

  3. Delmer Daves (1904–1977) was an American screenwriter, director, and producer known for his dramas and Western adventures, most notably Broken Arrow and 3:10 to Yuma. Despite the popularity of his films, there has been little serious examination of Daves’s work. Filmmaker Bertrand Tavernier has called Daves the most forgotten of American ...

  4. Delmer Daves es un Director, Guionista americano. Descubre su biografia, el detalle de sus 24 años de carrera y toda su actualidad.

  5. アメリカ合衆国 サンフランシスコ. 死没地. アメリカ合衆国 カリフォルニア州 ラホヤ. 職業. 映画監督、脚本家、映画プロデューサー. テンプレートを表示. デルマー・デイヴィス ( Delmer Lawrence Daves, 1904年 7月24日 - 1977年 8月17日 )は、 アメリカ合衆国 の ...

  6. 9 de jun. de 2019 · DARK PASSAGE (Les passagers de la nuit) réalisé par Delmer Daves (1947) avec Humphrey Bogart, Lauren Bacall, Agnes Moorehead, Tom D’Andrea, Clifton Young, Houseley Stevenson. Les ventes pour Dark passage reprirent légèrement suite à la déclaration de Bogart, mais le film n’eut jamais le succès que Bogart et Bacall avaient espéré.

  7. www.theyshootpictures.com › davesdelmerTSPDT - Delmer Daves

    Delmer Daves is the property of those who can enjoy stylistic conviction in an intellectual vacuum. The movies of Delmer Daves are fun of a very special kind. Call it Camp or call it Corn. The director does not so much transcend his material as mingle with it." - Andrew Sarris (The American Cinema, 1968)