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The discography for the American singer Etta James consists of 29 studio albums, 3 live albums, and 12 compilations. She has also issued 58 singles, one of which, " The Wallflower (Dance with Me, Henry) ," reached number 1 on the Rhythm and Blues Records chart in 1955. As a teenager in San Francisco, California in the early 1950s, James formed ...
However, soul music continued to evolve, informing most subsequent forms of R&B from the 1970s-onward, with pockets of musicians continuing to perform in traditional soul style. 1970s and later Later examples of soul music include recordings by The Staple Singers (such as I’ll Take You There ), and Al Green’s 1970s recordings, done at Willie Mitchell’s’ Royal Recording in Memphis.
It referred to music styles that developed from and incorporated electric blues, as well as gospel and soul music. From 1960s to 70s, some British groups were referred to and promoted as being R&B bands. By the 1970s, the term "rhythm and blues" had changed once again and was used as a blanket term for soul and funk .
Rhythm and blues, også forkortet til R&B eller RnB, er en musikksjanger innen populær afroamerikansk musikk som har sin opprinnelse i 1940-årene i USA. Begrepet ble opprinnelig benyttet av plateselskaper for å beskrive innspillinger markert hovedsakelig til urbane afroamerikanere på en tid da «urban, rockete, jazzbasert musikk med en tung, iherdig takt» ble stadig mer populært.
26 de set. de 2009 · Miss Etta James The Complete Modern & Kent Recordings - (CDCM21085) - For the first time ever all of Etta's 1950's Modern masters & alternates fierce 50's R & B at it's finest, includes Hey Henry, Good Rockin' Daddy, W-O-M-A-N, Tough Lover, Baby Baby Every Night, How Big A Fool, Dance With Me Henry, Don't You Remember, Hickory Hickory Dock & more Double CD set £15.00
One important stylistic prototype in the development of R&B was jump blues, pioneered by Louis Jordan, with his group Louis Jordan and His Tympany Five. Originally from Arkansas, Jordan was a former member of Chick Webb’s swing band that had dominated New York City’s Savoy Ballroom through the 1930s, after which he moved to L.A., finding success there both as a musician and in films.
Its birth date is disputed. In 1946 Muddy Waters cut the first records of Chicago's electric blues. In 1947 Billboard's writer Jerry Wexler coined the term "rhythm and blues" for Chicago's electric blues. In 1949 the Billboard chart for "race" records was renamed "rhythm and blues".
