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Hannah Wilke wurde geboren als Arlene Hannah Butter. Von 1956 bis 1961 war sie auf der Tyler School of Art, Temple University Philadelphia. 1960 schloss sie eine Ehe mit dem Designer Barry Wilke und begann ab 1969 eine Liebes- und Arbeitsgemeinschaft mit Claes Oldenburg. Von 1972 bis 1991 hatte sie einen Lehrauftrag an der School of Visual Arts ...
Ses œuvres. Hannah Wilke. S.O.S. Starification Object Series : An Adult Game of Mastication (Mas…. 1974 - 1975. Hannah Wilke. Needed-Erase-Her. 1974. Hannah Wilke. 2 (a pair of) pink terra cotta sculptures.
20 de out. de 2021 · Hannah Wilke: Intra-Venus Series No. 4, July 26 and February 19, 1992, 1992-93, performalist self-portrait with Donald Goddard, two chromogenic supergloss photographs, 71 1/2 by 47 1/4 inches each
28 de jan. de 1993 · Summary of Hannah Wilke. Now seen as an iconic and path-breaking Feminist artist, Wilke's work was first rejected by many critics, largely because of her conventional beauty. Her performances and photography are now seen as a crucial component of the Feminist movement in their use of the artist's own body in ways that addressed issues of female ...
Hannah Wilke, the second child of Selma and Emanuel Butter, was born Arlene Hannah Butter in New York City on March 7, 1940. She and her sister Marsha (Marsie Scharlatt) attended public school in Queens, and Arlene (later Hannah) graduated from Great Neck High School in 1957. Wilke studied art at Stella Elkins Tyler School of Fine Art, Temple ...
Morte. 28 de janeiro de 1993 (52 anos) Cidade de Nova York, Nova York. Nacionalidade. Estadunidense. Prémios. NEA Grants em escultura e performance, Guggenheim Grant por escultura. Hannah Wilke (nascida Arlene Hannah Butter; 7 de março de 1940 – 28 de janeiro de 1993) foi uma pintora, escultora, fotógrafa, video-artista e artista de ...
Hannah Wilke (1940-1993) est une artiste féministe américaine dont l’œuvre demeure globalement méconnue en France. Aucun travail de recherche, aucune publication en français, n’ont été consacrés à l’artiste à ce jour. Pourtant, son travail propose une critique radicale de l’objectivation du corps féminin qui se démarque singulièrement du contexte artistique dans lequel il ...
