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  1. 29 de abr. de 2020 · The man bent over his guitar, A shearsman of sorts. The day was green. They said, "You have a blue guitar, You do not play things as they are." The man replied, "Things as they are Are changed upon the blue guitar." And they said then, "But play, you must, A tune beyond us, yet ourselves, A tune upon the blue guitar Of things exactly as they are."

  2. Here, Thomas J. Hines has said, the blue guitar, which has been used throughout the poem, defines itself and its potential (the candle), and so proves that it can generate a definition of itself ...

  3. The man bent over his guitar, A shearsman of sorts. The day was green. They said, "You have a blue guitar, You do not play things as they are." The man replied, "Things as they are Are changed upon the blue guitar." And they said to him, "But play, you must, A tune beyond us, yet ourselves, A tune upon the blue guitar, Of things exactly as they ...

  4. The man bent over his guitar, A shearsman of sorts. The day was green. They said, "You have a blue guitar, You do not play things as they are." The man replied, "Things as they are Are changed upon the blue guitar." And they said then, "But play, you must, A tune beyond us, yet ourselves, A tune upon the blue guitar

  5. This perception of reality is based on experience, historical context, and poetic skill, among others. “The Man with the Blue Guitar” is a long poem that allows Stevens to change perspectives and create abstract realities. Parataxis in such a long poem allows for the decreation of reality and the relation of imagination. In his book, The ...

  6. Há 4 dias · Search for: 'Man with the Blue Guitar' in Oxford Reference ». Title poem of a collection by Wallace Stevens, published in 1937.Divided into 33 parts, the poem, in four-stress unrhymed couplets, is constructed like variations played on a guitar. Suggested by Picasso's use of a guitar and the color blue, the poem is a statement by Stevens about ...

  7. To read Stevens is to participate in the adventure of his creating his persona. In this poem he tests various notions of the poet – as comedian, vates, legislator, lyricist. Within the poem, both the speaker’s selfconcept and the external space undergo constant change and modification. Indeed, we should think of The Man With the Blue Guitar ...