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Há 1 dia · ‘Nightwood’ by Djuna Barnes This has been high on my list for months now, but I haven’t found the time to fit it in yet. Despite having Nightwood on my radar since winter quarter, I couldn’t tell you what it’s about (and the synopsis section on Wikipedia is pretty long, so I’m not going to attempt a summary).
29 de mai. de 2024 · The plays of Djuna Barnes are unquestionably some of the most curious works of American drama. Combining the realist settings and Irish speech patterns of the plays of J. M. Synge, an Oscar Wildeian sense of wit, and an often sentimental portrait of down-and-out New Yorkers, Barnes’s earliest plays are, at best, odd amalgams of styles at war with one another.
12 de jun. de 2024 · Dear Zazie, Here is today's Lovers' Chronicle from Mac Tag dedicated to his muse. Do you have the right words for the right one? Rhett The Lovers' Chronicle Dear Muse, Pale Love, Pale Rider a namein the nighta pleadin',in the sleepless mind always there since first appearancecome unannouncedstay till want filledand leave takenwhen pleased at the pointwhere this is allthat…
12 de jun. de 2024 · 1892 Djuna Barnes, American author (Nightwood), born in Cornwall-on-Hudson, New York (d. 1982) 1892 Ferdinand Schörner, German field marshal, born in Munich, Germany (d. 1973) 1895 Eugénie Brazier, French chef who was the 1st woman to earn 3 Michelin stars (1933), and the 1st person earn 3 Michelin stars for 2 restaurants, born in La Tranclière, Ain, France (d. 1977)
5 de jun. de 2024 · “Sacramentality in Djuna Barnes’s Nightwood.” American Literature, special issue on “After the Post-Secular,” eds. Peter Coviello and Jared Hickman, 2014. Winner of the 2014 Norman Foerster Prize for best essay in American Literature. “Connecticut Yankings: Mark Twain and the Masturbating Dude.”
29 de mai. de 2024 · The plays of Djuna Barnes are unquestionably some of the most curious works of American drama. Combining the realist settings and Irish speech patterns of the plays of J. M. Synge, an Oscar Wildeian sense of wit, and an often sentimental portrait of down-and-out New Yorkers, Barnes’s earliest plays are, at best, odd amalgams of styles at war with one another.
