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  1. Há 4 dias · Sooner or later this happens to everyone to everyone You can live your life lonely heavy as stone Live your life learning and working alone Say this is all you want but I don't believe that it's true 'cause when you least expect it waiting round the corner for you Love comes quickly whatever you do you can't stop falling Love comes quickly ...

  2. 5 de mai. de 2024 · pet shop boys、ロイヤル・オペラ・ハウスでの公演を収録したライヴ盤の発売が決定 ペット・ショップ・ボーイズ、2019年4月に来日公演が決定 PET SHOP BOYS、最新作からの曲を披露した英TV番組の映像が公開

  3. www.petshopboys.co.uk › pet-texts › 2024/05/02Margate — Pet Shop Boys

    2 de mai. de 2024 · Pet Shop Boys are kicking off their 2024 “Dreamworld” tour across the UK and Europe with an intimate club show at KOKO, London this Sunday, 26 th May. The concert starts at 6:30pm. See you all very soon! xx

  4. 22 de mai. de 2024 · Year: 2024. Neil Tennant and Chris Lowe perform their greatest hits, recorded live at the Royal Arena in Copenhagen by performance director David Barnard using 14 cameras. The set list includes Always On My Mind, It's A Sin, Opportunities (Let's Make Lots Of Money), Rent, Suburbia, West End Girls and What Have I Done To Deserve This.

  5. 5 de mai. de 2024 · Os Pet Shop Boys, formados em Londres em 1981, são um icônico duo de synth-pop. Composto pelo vocalista principal Neil Tennant e pelo tecladista Chris Lowe, eles venderam mais de 50 milhões de discos em todo o mundo. Na edição de 1999 do Guinness Book of Records, foram listados como o duo de maior sucesso na história da música do Reino ...

  6. 7 de mai. de 2024 · Pet Shop Boys, cuatro décadas después: el secreto para permanecer frescos El dúo británico formado por Neil Tennant y Chris Lowe acaba de lanzar su disco número 15: “Nonetheless”.

  7. 22 de mai. de 2024 · The recently published The Pet Shop Boys And The Political, a fine collection of academic essays edited by Bodie A. Ashton, naturally analyses their work through lenses of queerness, identity, politics and history, but Tennant and Lowe’s back-and-forth with both marginalised and mainstream dancefloors – a through-thread from 1984 to the present day – is a glaring omission.