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14 de jun. de 2024 · Commissioned in 1640 and painted in 1642, at the height of Rembrandt’s career, this colossal painting, at 12.4 × 14.9 feet (379.5 × 453.5 cm), is a commissioned group portrait of a militia company, the civic guard, charged with preventing attacks on Amsterdam.
One of the greatest portrait paintings of the 17th century Dutch Baroque era, The Night Watch was executed by Rembrandt at the height of his career in Amsterdam.
- A night watch?
- The Dutch civic guard
- A unique approach
- Three musketeers
- A golden girl
Would it surprise you to find that the title that Rembrandt’s most famous painting is known by is actually incorrect? The so-called Night Watch is not a night scene at all; it actually takes place during the day. This title, which was not given by the artist, was first applied at the end of the eighteenth century. By that time the painting had dark...
Rembrandt’s The Night Watch is an example of a very specific type of painting that was exclusive to the Northern Netherlands, with the majority being commissioned in the city of Amsterdam. It is a group portrait of a company of civic guardsmen. The primary purpose of these guardsmen was to serve as defenders of their cities. As such, they were tasked with guarding gates, policing streets, putting out fires, and generally maintaining order throughout the city. Additionally, they were an important presence at parades held for visiting royalty as well and other festive occasions.
Each company had its own guild hall as well as a shooting range where they could practice with the specific weapon associated with their group, either a longbow, a crossbow, or a firearm. According to tradition, these assembly halls were decorated with group portraits of its most distinguished members, which served not only to record the likenesses of these citizens, but more importantly to assert the power and individuality of the city that they defended. In short, these images helped promote a sense of pride and civic duty.
Rembrandt was at the height of his career when he received the commission to paint The Night Watch for the Kloveniersdoelen, the guild hall that housed the Amsterdam civic guard company of arquebusiers, or musketeers.
This company was under the command of Captain Frans Banning Cocq, who holds a prominent position in the center foreground of the image. He wears the formal black attire and white lace collar of the upper class, accented by a bold red sash across his chest. At his waist is a rapier and in his hand a baton, the latter of which identifies his military rank. Striding forward, he turns his head to the left and emphatically extends his free hand as he addresses his lieutenant, Willem van Ruytenburgh, who turns to acknowledge his orders. He is also fancifully dressed, but in bright yellow, his military role referenced by the steel gorget he wears around his neck and the strongly foreshortened ceremonial partisan that he carries.
Compared to other civic guard portraits, Rembrandt’s The Night Watch stands out significantly in terms of its originality. Rather than replicating the typical arrangement of rows of figures, Rembrandt animates his portrait. Sitters perform specific actions that define their roles as militiamen.
A great deal of energy is generated as these citizens spring to action in response to their captain’s command. Indeed, the scene has the appearance of an actual historical event taking place although what we are truly witnessing is the creative genius of Rembrandt at work.
Men wearing bits of armor and varied helmets, arm themselves with an array of weapons before a massive, but imaginary archway that acts as a symbol of the city gate to be defended. On the left, the standard bearer raises the troop banner while on the far right a group of men hold their pikes high.
In the left foreground, a young boy carrying a powder horn dashes off to collect more powder for the musketeers. Opposite him, a drummer taps out a cadence while a dog barks enthusiastically at his feet.
While a number of different weapons are included in the painting, the most prominent weapon is the musket, the official weapon of the Kloveniers. Three of the five musketeers are given a place of significance just behind the captain and lieutenant where they carry out in sequential order the basic steps involved in properly handling a musket. First, on the left, a musketeer dressed all in red, charges his weapon by pouring powder into the muzzle. Next, a rather small figure wearing a helmet adorned with oak leaves fires his weapon to the right. Finally, the man behind the lieutenant clears the pan by blowing off the residual powder.
In his rendering of these steps, it seems that Rembrandt was influenced by weapons manuals of the period.
Probably the most unusual feature is the mysterious girl who emerges from the darkness just behind the musketeer in red. With flowing blond hair and a fanciful gold dress, the young girl in all her brilliance draws considerable attention. Her most curious attribute, however, is the large white chicken that hangs upside down from her waistband.
The significance of this bird, particularly its claws, lies in its direct reference to the Kloveniers. Each guild had its own emblem and for the Kloveniers it was a golden claw on a blue field. The girl then is not a real person, but acts as a personification of the company.
Additional resources
Read more about Rembrandt and the global baroque in a Reframing Art History chapter.
Animated reconstruction of the painting by the Rijksmuseum.
Rembrandt's paintings on The Metropolitan Museum of Art's Heilbrunn Timeline of Art History.
All 145 characters in The Night Watchman are alphabetically listed along with character descriptions.
6 de dez. de 2023 · Rembrandt’s The Night Watch is an example of a very specific type of painting that was exclusive to the Northern Netherlands, with the majority being commissioned in the city of Amsterdam. It is a group portrait of a company of civic guardsmen.
All 145 characters in The Night Watchman are listed by chapter with character descriptions included.
23 de out. de 2021 · The Night Watch is one of the most famous Dutch Golden Age paintings. The painting is famous for three things: its colossal size (363 cm × 437 cm (11.91 ft × 14.34 ft)), the dramatic use of light and shadow (tenebrism) and the perception of motion in what would have traditionally been a static military group portrait.
