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24 de jan. de 2019 · John Muir (1838–1914) was a mechanical wizard who probably could have made a great living designing machinery for the growing factories of the 19th century, but he literally walked away from it to live, as he put it himself, "as a tramp." Muir traveled to California and became associated with Yosemite Valley.
- Overview
- Early 19th-century literature
After the American Revolution, and increasingly after the War of 1812, American writers were exhorted to produce a literature that was truly native. As if in response, four authors of very respectable stature appeared. William Cullen Bryant, Washington Irving, James Fenimore Cooper, and Edgar Allan Poe initiated a great half century of literary development.
Bryant, a New Englander by birth, attracted attention in his 23rd year when the first version of his poem “Thanatopsis” (1817) appeared. This, as well as some later poems, was written under the influence of English 18th-century poets. Still later, however, under the influence of Wordsworth and other Romantics, he wrote nature lyrics that vividly represented the New England scene. Turning to journalism, he had a long career as a fighting liberal editor of The Evening Post. He himself was overshadowed, in renown at least, by a native-born New Yorker, Washington Irving.
Irving, the youngest member of a prosperous merchant family, joined with ebullient young men of the town in producing the Salmagundi papers (1807–08), which satirized the foibles of Manhattan’s citizenry. This was followed by A History of New York (1809), by “Diedrich Knickerbocker,” a burlesque history that mocked pedantic scholarship and sniped at the old Dutch families. Irving’s models in these works were obviously Neoclassical English satirists, from whom he had learned to write in a polished, bright style. Later, having met Sir Walter Scott and having become acquainted with imaginative German literature, he introduced a new Romantic note in The Sketch Book (1819–20), Bracebridge Hall (1822), and other works. He was the first American writer to win the ungrudging (if somewhat surprised) respect of British critics.
James Fenimore Cooper won even wider fame. Following the pattern of Sir Walter Scott’s “Waverley” novels, he did his best work in the “Leatherstocking” tales (1823–41), a five-volume series celebrating the career of a great frontiersman named Natty Bumppo. His skill in weaving history into inventive plots and in characterizing his compatriots brought him acclaim not only in America and England but on the continent of Europe as well.
Edgar Allan Poe, reared in the South, lived and worked as an author and editor in Baltimore, Philadelphia, Richmond, and New York City. His work was shaped largely by analytical skill that showed clearly in his role as an editor: time after time he gauged the taste of readers so accurately that circulation figures of magazines under his direction soared impressively. It showed itself in his critical essays, wherein he lucidly explained and logically applied his criteria. His gothic tales of terror were written in accordance with his findings when he studied the most popular magazines of the day. His masterpieces of terror—“The Fall of the House of Usher” (1839), “The Masque of the Red Death” (1842), “The Cask of Amontillado” (1846), and others—were written according to a carefully worked out psychological method. So were his detective stories, such as “The Murders in the Rue Morgue” (1841), which historians credited as the first of the genre. As a poet, he achieved fame with “The Raven” (1845). His work, especially his critical writings and carefully crafted poems, had perhaps a greater influence in France, where they were translated by Charles Baudelaire, than in his own country.
Two Southern novelists were also outstanding in the earlier part of the century: John Pendleton Kennedy and William Gilmore Simms. In Swallow Barn (1832), Kennedy wrote delightfully of life on the plantations. Simms’s forte was the writing of historical novels like those of Scott and Cooper, which treated the history of the frontier and his native South Carolina. The Yemassee (1835) and Revolutionary romances show him at his best.
After the American Revolution, and increasingly after the War of 1812, American writers were exhorted to produce a literature that was truly native. As if in response, four authors of very respectable stature appeared. William Cullen Bryant, Washington Irving, James Fenimore Cooper, and Edgar Allan Poe initiated a great half century of literary development.
Bryant, a New Englander by birth, attracted attention in his 23rd year when the first version of his poem “Thanatopsis” (1817) appeared. This, as well as some later poems, was written under the influence of English 18th-century poets. Still later, however, under the influence of Wordsworth and other Romantics, he wrote nature lyrics that vividly represented the New England scene. Turning to journalism, he had a long career as a fighting liberal editor of The Evening Post. He himself was overshadowed, in renown at least, by a native-born New Yorker, Washington Irving.
Irving, the youngest member of a prosperous merchant family, joined with ebullient young men of the town in producing the Salmagundi papers (1807–08), which satirized the foibles of Manhattan’s citizenry. This was followed by A History of New York (1809), by “Diedrich Knickerbocker,” a burlesque history that mocked pedantic scholarship and sniped at the old Dutch families. Irving’s models in these works were obviously Neoclassical English satirists, from whom he had learned to write in a polished, bright style. Later, having met Sir Walter Scott and having become acquainted with imaginative German literature, he introduced a new Romantic note in The Sketch Book (1819–20), Bracebridge Hall (1822), and other works. He was the first American writer to win the ungrudging (if somewhat surprised) respect of British critics.
James Fenimore Cooper won even wider fame. Following the pattern of Sir Walter Scott’s “Waverley” novels, he did his best work in the “Leatherstocking” tales (1823–41), a five-volume series celebrating the career of a great frontiersman named Natty Bumppo. His skill in weaving history into inventive plots and in characterizing his compatriots brought him acclaim not only in America and England but on the continent of Europe as well.
Edgar Allan Poe, reared in the South, lived and worked as an author and editor in Baltimore, Philadelphia, Richmond, and New York City. His work was shaped largely by analytical skill that showed clearly in his role as an editor: time after time he gauged the taste of readers so accurately that circulation figures of magazines under his direction soared impressively. It showed itself in his critical essays, wherein he lucidly explained and logically applied his criteria. His gothic tales of terror were written in accordance with his findings when he studied the most popular magazines of the day. His masterpieces of terror—“The Fall of the House of Usher” (1839), “The Masque of the Red Death” (1842), “The Cask of Amontillado” (1846), and others—were written according to a carefully worked out psychological method. So were his detective stories, such as “The Murders in the Rue Morgue” (1841), which historians credited as the first of the genre. As a poet, he achieved fame with “The Raven” (1845). His work, especially his critical writings and carefully crafted poems, had perhaps a greater influence in France, where they were translated by Charles Baudelaire, than in his own country.
Two Southern novelists were also outstanding in the earlier part of the century: John Pendleton Kennedy and William Gilmore Simms. In Swallow Barn (1832), Kennedy wrote delightfully of life on the plantations. Simms’s forte was the writing of historical novels like those of Scott and Cooper, which treated the history of the frontier and his native South Carolina. The Yemassee (1835) and Revolutionary romances show him at his best.
This primary source set showcases five prominent American authors and includes examples of the different media that promoted, and sometimes significantly altered, their public images and literary works.
Nathaniel Hawthorne, The Scarlet Letter (1850) The Scarlet Letter was the first important novel by Nathaniel Hawthorne, one of the leading authors of nineteenth-century romanticism in American literature. Like many of his works, the novel is set in Puritan New England and examines guilt, sin, and evil as inherent human traits.
Some of the notable writers in American literature during the 19th century include: 1. Nathaniel Hawthorne: Considered one of the masters of American fiction, Hawthorne’s works often explored themes of sin, guilt, and moral ambiguity. His notable works include “The Scarlet Letter” and “The House of the Seven Gables.”.
16 de jun. de 2023 · In the novels of the 19th century, the United States comes alive with all its contradictions and complications. Nathan Wolff, a professor of English at Tufts and author of Not Quite Hope and Other Political Emotions in the Gilded Age, introduces us to his picks of the best 19th-century American novels, including two works of historical fiction and a memoir that influenced the novel form.
Best 19th Century American Poets. 1 Walt Whitman; 2 Henry David Thoreau; 3 Emily Dickinson; 4 Henry Wadsworth Longfellow; 5 Helen Hunt Jackson; 6 Edgar Allan Poe 7 William Cullen Bryant 8 Ralph Waldo Emerson; 9 Paul Laurence Dunbar; 10 Louisa May Alcott
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