Yahoo Search Busca da Web

Resultado da Busca

  1. Edward Steichen, recognized by many as one of the finest creative photographers in the world, became the official photographer for Condé Nast's Vanity Fair and Vogue in 1923.

    • vogue edward steichen1
    • vogue edward steichen2
    • vogue edward steichen3
    • vogue edward steichen4
    • vogue edward steichen5
  2. Edward Steichen - Wikipedia. Edward Jean Steichen (March 27, 1879 – March 25, 1973) was a Luxembourgish American photographer, painter, and curator, renowned as one of the most prolific and influential figures in the history of photography. [1] Steichen was credited with transforming photography into an art form. [2] .

  3. 27 de abr. de 2021 · Edward Steichen was the first photographer commissioned for a British Vogue cover. The July 1932 issue, shot in a studio, ushered in a new aesthetic for both the magazine and publishing, reflecting the changing role — and wardrobe — of contemporary women.

  4. 9 de jan. de 2011 · Edward Steichen serviu ao exército americano na Primeira Guerra Mundial e contribuiu ara a fotografia militar daquele período. Trabalhou para Vogue, Vanity Fair e agências de publicidade; sendo, entre 1923 e 1938, um dos fotógrafos mais bem pagos do mundo.

  5. From 1923 to 1938, Steichen served as chief photographer for the Condé Nast magazines Vogue and Vanity Fair, while also working for many advertising agencies, including J. Walter Thompson. During these years, Steichen was regarded as the most popular and highest-paid photographer in the world.

    • vogue edward steichen1
    • vogue edward steichen2
    • vogue edward steichen3
    • vogue edward steichen4
  6. In 1914 Baron Adolf de Meyer became the first official staff photographer; in 1923 he was succeeded by Edward Steichen, chief photographer for both Vogue and Vanity Fair until 1937. Steichen’s Gertrude Lawrence (MoMA 1869.2001), published in Vanity Fair, is similar to his work for Vogue.

  7. 16 de jul. de 2022 · Edward Steichen. 1/12. “Double Number” (1932) by Edward Steichen. This rectilinear, modernist poolside scene (taken not on a diving board en plein air, but re-created in the studio) heralded a new era for Vogue, its first colour photographic cover.